| 1940 |
Wagon Train. |
Universal TV. |
3 reels |
16mm |
B&W |
sound |
| 1940 |
Wagon Train. |
Edward Killy |
59 min. |
|
B&W |
|
| 1940 |
We Who Are Young. |
Harold S. Bucquet |
8 reels |
|
B&W |
sound |
| 1940 |
Weißer Flieder. |
Terra Films |
3200 |
16mm |
|
sound |
| 1940 |
Welfare of the workers |
Humphrey Jennings |
|
|
|
|
| 1940 |
WELFARE OF THE WORKERS |
Humphrey Jennings |
|
|
|
|
| 1940 |
West Of Abilene. |
Ralph Ceder |
6 reels |
|
|
|
| 1940 |
West Of Pinto Basin. |
S. Roy Luby |
6 reels |
|
B&W |
|
| 1940 |
Wildcat Bus. |
Frank Woodruff |
64 min. |
|
B&W |
|
| 1940 |
Wolf Of New York. |
William C. McGann |
7 reels |
|
Color |
|
| 1940 |
Wunschkonzert. |
Cine-Allianz-Tonfilmprod. GmbH. |
3600 |
16mm |
B&W |
sound |
| 1940 |
Wyoming. |
Richard Thorpe |
9 reels |
|
B&W |
|
| 1940 |
Yesterday's Heroes. |
Herbert I. Leeds |
5950 ft. |
|
B&W |
|
| 1940 |
You'll Find Out. |
David Butler |
97 min. |
|
B&W |
|
| 1940 |
Youth Will Be Served. |
Otto Brower |
6100 ft. |
|
B&W |
|
| 1940 |
Zanzibar. |
Harold D. Schuster |
7 reels |
|
B&W |
|
| 1940) |
GOODBYE, MR. GERM ▶ |
Edgar G. Ulmer |
|
16mm |
|
|
| 1940s |
New earth |
Films of the Nations, F.O.N., New York city ; directed by Joris Ivens ; commentary, Irving Jacoby. |
23 |
16mm |
B&W |
sound |
| 1940s |
We won't forget |
Realist Film Unit ; produced by John Taylor ; directed by Frank Sainsbury. |
8.5 |
16mm |
B&W |
sound |
| 1940’ |
THE RAMPARTS WE WATCH ▶ |
Louis De Rochemont Associates |
|
16mm |
B&W |
|
| 1940’ |
THE RAMPARTS WE WATCH ▶ |
Louis De Rochemont Associates |
|
16mm |
B&W |
|
| 1940’ |
THE RAMPARTS WE WATCH ▶ |
Louis De Rochemont Associates |
|
16mm |
B&W |
|
| 1941 |
A Gentleman's Gentleman. |
Roy William Neill |
1 reel |
|
B&W |
|
| 1941 |
A Girl Must Live. |
Carol Reed |
7 reels |
|
B&W |
|
| 1941 |
A Girl, A Guy And A Gob. |
Richard Wallace |
91 min. |
|
B&W |
|
| 1941 |
A Missouri Outlaw. |
George Sherman |
6 reels |
|
Color & B&W |
|
| 1941 |
A Place to Live |
Snyder |
1000 ft |
|
Color & B&W |
|
| 1941 |
A Place to live |
Irving Lerner |
16 min |
|
Color & B&W |
|
| 1941 |
A Place to live |
Irving Lerner |
16 min |
|
Color & B&W |
|
| 1941 |
A Place to live |
Irving Lerner |
16 min |
|
Color & B&W |
|
| 1941 |
A Place to live |
Irving Lerner |
16 min |
|
Color & B&W |
|
| 1941 |
A Place to live |
Irving Lerner |
16 min |
|
Color & B&W |
|
| 1941 |
A Very Young Lady. |
Harold D. Schuster |
7129 ft. |
|
B&W |
|
| 1941 |
A woman's face |
Loew's Inc. (Publisher) | Metro Goldwyn Mayer: Publisher |
1:45:00 |
16mm |
B&W |
sound |
| 1941 |
A Woman's Face. |
George Cukor |
12 reels |
|
B&W |
sound |
| 1941 |
Accent On Love. |
Ray McCarey |
5560 ft. |
|
Color |
|
| 1941 |
Across The Sierras. |
D. Ross Lederman |
6 reels |
|
B&W |
|
| 1941 |
Adventures of Captain Marvel ▶ |
William Witney, John English |
216 min |
|
Color & B&W |
|
| 1941 |
Along The Rio Grande. |
Edward Killy |
64 min. |
|
B&W |
|
| 1941 |
AM ABEND AUF DER HEIDE |
Cine-Allianz-Tonfilmprod. GmbH. |
|
16mm |
B&W |
sound |
| 1941 |
Among The Living. |
Stuart Heisler |
8 reels |
|
B&W |
|
| 1941 |
An American march |
Museum of Modern Art |
3 |
16mm |
Color |
sound |
| 1941 |
Angels With Broken Wings. |
Bernard Vorhaus |
9 reels |
|
B&W |
|
| 1941 |
Arizona Cyclone. |
Joseph H. Lewis |
6 reels |
|
B&W |
|
| 1941 |
Babes on Broadway |
Metro-Goldwyn-Mayer Corp. (Publisher) |
1:58:00 |
16mm |
B&W |
sound |
| 1941 |
Babes On Broadway. |
Vincente Minnelli, Busby Berkeley |
13 reels |
|
B&W |
sound |
| 1941 |
Baby Blues. |
Edward L. Cahn |
852 ft. |
|
B&W |
sound |
| 1941 |
Back In The Saddle. |
Autry Qualified Interest Trust & The Autry Foundation |
8 reels |
16mm |
B&W |
sound |
| 1941 |
Bad Man Of Deadwood. |
Joseph Kane |
6 reels |
|
B&W |
|
| 1941 |
Badlands Of Dakota. |
Alfred Edward Green |
8 reels |
|
B&W |
|