| 1937 |
CALL IT A DAY. |
Warner Bros. Pictures Inc. |
10 reels |
|
B&W |
|
| 1937 |
DANGEROUS NUMBER. |
Metro-Goldwyn-Mayer Corp. |
8 reels |
|
B&W |
|
| 1937 |
EBB-TIDE. |
Paramount Pictures Inc. |
10 reels |
|
Color |
|
| 1937 |
I MET HIM IN PARIS. |
Paramount Pictures Inc. |
9 reels |
|
B&W |
|
| 1937 |
LET THEM LIVE! |
Universal Pictures Co. Inc. |
8 reels |
|
B&W |
|
| 1937 |
LOVE IS NEWS. |
Fox Film Corp |
77 min |
|
B&W |
|
| 1937 |
LOVE UNDER FIRE. |
Fox Film Corp |
70 min |
|
B&W |
|
| 1937 |
MAID OF SALEM |
Frank Lloyd |
85 min |
|
B&W |
|
| 1937 |
MARRIED BEFORE BREAKFAST. |
Metro-Goldwyn-Mayer Corp. |
7 reels |
|
B&W |
|
| 1937 |
NAVY BLUE AND GOLD. |
Metro-Goldwyn-Mayer Corp. |
10 reels |
|
B&W |
|
| 1937 |
SECOND HONEYMOON. |
Fox Film Corp |
79 min |
|
B&W |
|
| 1937 |
The Emperor's Candlesticks |
Metro-Goldwyn-Mayer Corp |
1:29:00 |
16mm |
B&W |
sound |
| 1937 |
THE EMPEROR'S CANDLESTICKS. |
Metro-Goldwyn-Mayer Corp. |
10 reels |
|
B&W |
|
| 1937 |
THE MAN WHO COULD WORK MIRACLES. |
London Film Productions Ltd. |
9 reels |
16mm |
B&W |
silent |
| 1937 |
Topper |
John W. Loveton Bernard L. Schubert. |
97 |
16mm |
B&W |
sound |
| 1937 |
WIFE, DOCTOR, AND NURSE. |
Fox Film Corp |
21 min |
16mm |
B&W |
Sound |
| 1936 |
A MAN BETRAYED. |
Republic Pictures Corp |
6 reels |
|
B&W |
|
| 1936 |
IT'S LOVE AGAIN. |
Gaumont British Picture Corporation of America (Gaumont British Picture Corp. Ltd.) |
9 reels |
|
B&W |
|
| 1936 |
KLONDIKE ANNIE. |
Paramount Productions Inc. |
80 min |
|
B&W |
|
| 1936 |
LADIES IN LOVE. |
Fox Film Corp |
97 min |
|
B&W |
|
| 1936 |
MY AMERICAN WIFE. |
Paramount Pictures Inc. |
8 reels |
|
B&W |
|
| 1936 |
Oh, Susanna! |
Oliver Drake, Smiley Burnette, Gene Autry, Joseph Kane, Nat Levine |
18:10 |
16mm |
B&W |
sound |
| 1936 |
ONE RAINY AFTERNOON. |
Pickford-Lasky Productions Inc. |
81 min |
|
B&W |
|
| 1936 |
PEG OF OLD DRURY. |
British and Dominions Film Corp. Ltd. |
8 reels |
|
B&W |
|
| 1936 |
PRIVATE NUMBER. |
Fox Film Corp |
80 min |
|
B&W |
|
| 1936 |
Ramona. |
Fox Film Corp |
8 reels |
16mm |
Color |
|
| 1936 |
REEFER MADNESS ▶ |
Louis J. Gasnier |
65 min |
16mm |
Color & B&W |
|
| 1936 |
REEFER MADNESS ▶ |
Louis J. Gasnier |
65 min |
16mm |
Color & B&W |
|
| 1936 |
SCHLITZ ON MT. WASHINGTON; or, THE DOCTOR ON THE MOUNTAIN. |
Christopher Young |
5 reels |
|
|
|
| 1936 |
Secret Agent |
National Cinema Service: Publisher |
86 |
16mm |
B&W |
sound |
| 1936 |
SECRET AGENT. |
Gaumont British Picture Corp. of America |
9 reels |
|
B&W |
|
| 1936 |
Stowaway. |
Fox Film Corp |
5 reels |
16mm |
B&W |
sound |
| 1936 |
SWORN ENEMY. |
Metro-Goldwyn-Mayer Corp. |
8 reels |
|
B&W |
|
| 1936 |
THE BRIDE COMES HOME. |
Paramount Productions Inc. |
9 reels |
|
B&W |
|
| 1936 |
THE LONGEST NIGHT. |
Metro-Goldwyn-Mayer Corp. |
5 reels |
|
B&W |
|
| 1936 |
The Secret Agent ▶ |
Gaumont-British Instructional Films |
|
16mm |
|
sound |
| 1936 |
THE UNGUARDED HOUR. |
Metro-Goldwyn-Mayer Corp. |
9 reels |
|
B&W |
|
| 1936 |
Three On The Trail |
Howard Bretherton |
67 |
|
B&W |
|
| 1936 |
When Knights Were Bold |
CFF |
17 min. |
16mm |
Color |
sound |
| 1936 |
WOMAN TRAP. |
Paramount Productions Inc. |
7 reels |
|
B&W |
|
| 1935 |
CALM YOURSELF. |
Metro-Goldwyn-Mayer Corp. |
8 reels |
|
B&W |
|
| 1935 |
CLIVE OF INDIA. |
20th Century Pictures |
11 reels. |
|
B&W |
|
| 1935 |
David Copperfield ▶ |
George Cukor |
133 min |
|
B&W |
|
| 1935 |
ESCAPE ME NEVER. |
British & Dominions Film Corp. Ltd. |
11 reels. |
|
B&W |
|
| 1935 |
HITCH HIKE TO HEAVEN. |
Invincible Pictures Corp. |
7 reels |
16mm |
|
Sound |
| 1935 |
Hollywood Extra Girl |
Blackhawk Pictures Inc |
0:11:00 |
16mm |
B&W |
sound |
| 1935 |
Peter Ibbetson ▶ |
Henry Hathaway |
85 min |
|
B&W |
|
| 1935 |
RED SALUTE. |
Reliance Productions of Calif. |
9 reels |
16mm |
B&W |
Sound |
| 1935 |
Remember Last Night? |
Universal Pictures Corporation |
1:19:00 |
16mm |
B&W |
sound |
| 1935 |
Ruggles Of Red Gap |
Universal Pictures Co. Inc. |
90 min |
16mm |
B&W |
sound |