| 1982 |
Thirty - Nine, Single And Pregnant |
Wynn Charlotte |
|
16mm |
|
sound |
| 1980 |
Just Tell Me What You Want |
Warner Bros Pictures Inc |
1:52:00 |
16mm |
Color |
sound |
| 1979 |
Parts: The Clonus Horror |
Robert S. Fiveson |
|
|
|
|
| 1978 |
Laserblast |
Michael Rae |
|
|
|
|
| 1975 |
The Drowning Pool |
Coleytown Productions, Inc |
108 min |
16mm |
Color |
sound |
| 1972 |
Reading poetry : |
Haiku Oxford Films presents ; an Art Evans production ; executive producer, Victor Moss ; producer, Art Evans ; director, John Mattias ; writer, Toby Sacker. |
8 |
16mm |
Color |
sound |
| 1971 |
The Resurrection of Zachary Wheeler |
Bob Wynn |
|
|
|
|
| 1968 |
Finian's Rainbow |
warner brothers |
144 min |
16mm |
Color |
sound |
| 1968 |
The Magic pear tree |
the amorous adventures of Jean Navarro a presentation of Murakami Wolf Productions ; producer, Jimmy Murakami ; director, Charles Swenson ; writers, Jimmy Muakami, Charles Swenson. |
11 |
16mm |
Color |
sound |
| 1967 |
Point Blank |
John Boorman |
|
|
|
|
| 1967 |
The Gnome-Mobile. |
Walt Disney Productions. |
|
35mm |
Color |
sound |
| 1967 |
The War Wagon. |
Universal Pictures & Batjac Productions Inc. |
97 min |
35mm |
Color |
sound |
| 1966 |
STAGECOACH. |
Twentieth Century-Fox Film Corp. & Martin Rackin Productions |
10 reels |
35mm |
Color |
sound |
| 1966 |
Warning shot. |
Paramount Pictures Corp. & Bob Banner Associates Inc. |
100 min |
35mm |
Color |
sound |
| 1965 |
Around The World Under The Sea. |
Metro-Goldwyn-Mayer Inc. & Ivan Tors Enterprises Inc. |
110 min |
35mm |
Color |
sound |
| 1965 |
Dear Brigitte. |
Twentieth Century-Fox Film Corp |
100 min |
35mm |
Color |
sound |
| 1965 |
Miss Television USA. |
California sponsored by TWA ; a Wolper production ; executive producer, David L. Wolper ; associate producer, Ralph Riskin ; produced by Alan Handley, Bob Wynn ; written by beverly Bailis Karp ; directed by Alan Handley. |
36 |
16mm |
B&W |
sound |
| 1963 |
Dr. Strangelove, or how I learned to stop worrying and love the bomb |
Films Incorporated |
93 |
16mm |
B&W |
sound |
| 1961 |
Babes in toyland. |
Walt Disney Productions. |
9 reels |
35mm |
Color |
sound |
| 1960 |
Cinderfella. |
Jerry Lewis Pictures Corp. |
|
35mm |
Color |
sound |
| 1960 |
The Absent-Minded Professor. |
Walt Disney Productions. |
|
35mm |
B&W |
sound |
| 1959 |
Miracle on 34th Street |
William Corrigan |
|
|
|
|
| 1959 |
The Diary Of Anne Frank. |
Twentieth Century-Fox Film Corp |
170 min |
35mm |
B&W |
sound |
| 1958 |
A Time To Love And A Time To Die. |
Universal Pictures Co. Inc. |
133 min |
35mm |
B&W |
sound |
| 1958 |
Marjorie Morningstar. |
Beachwold Pictures Inc. |
123 min |
35mm |
Color |
sound |
| 1958 |
The Perfect Furlough. |
Universal Pictures Co. Inc. |
93 min. |
35mm |
Color |
sound |
| 1958 |
Touch of evil |
Universal International Pictures (UI) (presents) (as Universal International): Publisher | Universal Pictures (1958) (USA) (theatrical) (as Universal-International): Distributor |
1:48:00 |
16mm |
B&W |
sound |
| 1957 |
Joe Butterfly. |
Universal Pictures Co. Inc. 9Apr57 |
90 min. |
35mm |
Color |
sound |
| 1957 |
Taming Sutton’s Gal. |
Republic Pictures Corp |
7 reels |
35mm |
B&W |
sound |
| 1956 |
Automedic. |
Wynn Oil Co |
1 min |
16mm |
B&W |
sound |
| 1956 |
The great man. |
Universal Pictures Co. Inc. |
92 min. |
35mm |
B&W |
sound |
| 1956 |
The Man In The Gray Flannel Suit. |
Twentieth Century-Fox Film Corp |
152 min |
35mm |
Color |
sound |
| 1956 |
The Man Is Armed. |
Republic Pictures Corp |
70 min. |
35mm |
B&W |
sound |
| 1956 |
The Naked Hills. |
LaSalle Productions Inc. |
73 min. |
35mm |
Color |
sound |
| 1955 |
Running wild. |
Universal Pictures Co. Inc. |
81 min. |
35mm |
B&W |
sound |
| 1955 |
The Marauders |
Gerald Mayer |
|
|
|
|
| 1955 |
The name's the same. |
[1955-04-04] / a Mark Goodson-Bill Todman production ; sponsored by the Ralston-Purina Company ; producers, Mark Goodson and Bill Todman ; directed by Jerome Schnur. |
28 |
16mm |
B&W |
sound |
| 1954 |
Tennessee Champ. |
Loew’s Incorporated |
73 min. |
35mm |
Color |
sound |
| 1954 |
The Caine Mutiny. |
S. G. S. Corp. |
13 reels |
35mm |
Color |
sound |
| 1953 |
Battle Circus. |
Loew’s Incorporated |
90 min. |
35mm |
B&W |
sound |
| 1952 |
Phone Call From A Stranger. |
Twentieth Century-Fox Film Corp |
96 min. |
35mm |
B&W |
sound |
| 1950 |
Annie Get Your Gun. |
Loew's Inc. |
107 min |
35mm |
Color |
sound |
| 1950 |
Three Little Words. |
Loew's Inc. |
102 min |
35mm |
Color |
sound |
| 1946 |
Ziegfeld follies. |
Metro-Goldwyn-Mayer. |
110 min |
16mm |
Color |
silent |
| 1944 |
See Here, Private Hargrove. |
Wesley Ruggles, Tay Garnett |
10 reels |
|
B&W |
sound |
| 1941 |
Double Cross. |
Albert Kelley |
7 reels |
|
|
|
| 1935 |
The Crouching Beast |
Victor Hanbury |
|
|
|
|
| 1934 |
THE CROSBY CASE. |
Universal Pictures Corp. |
7 reels |
|
B&W |
|
| 1933 |
THE CRIME OF THE CENTURY. |
Paramount Productions Inc. |
8 reels |
|
|
|
| 1932 |
Fast Life |
Boston Film Center |
|
16mm |
B&W |
sound |