| 1916 |
THE LAW DECIDES. |
Vitagraph Co Of America |
7 reels |
|
B&W |
silent |
| 1917 |
HIS OWN PEOPLE. |
Vitagraph Co Of America |
5 reels |
|
B&W |
|
| 1917 |
I WILL REPAY. |
Vitagraph Co Of America |
5 reels |
|
B&W |
|
| 1917 |
THE COURAGE OF SILENCE. |
Vitagraph Co Of America |
5 reels |
|
B&W |
|
| 1917 |
WHO GOES THERE. |
Vitagraph Co Of America |
5 reels |
|
B&W |
|
| 1918 |
HEREDITY. |
World Film Corp |
3 reels |
16mm |
B&W |
sound |
| 1919 |
THE BETTER WIFE. |
Select Pictures Corp. |
5 reels |
|
B&W |
|
| 1919 |
THE BROKEN MELODY. |
Selznick Pictures Corp. |
5 reels |
|
|
|
| 1920 |
THE FLAPPER. |
Selznick Pictures Corp. |
6 reels |
|
B&W |
|
| 1920 |
THE RIDDLE WOMAN. |
Pathe Exchange Inc. |
1 min |
|
|
|
| 1921 |
GILDED LIES. |
Selznick Pictures Corp. |
5 reels |
|
|
|
| 1921 |
MORALS. |
Realart Pictures Corp. |
5 reels |
|
B&W |
|
| 1921 |
STRAIGHT FROM PARIS. |
Equity Pictures Corp. |
6 reels |
|
|
|
| 1921 |
THE INSIDE OF THE CUP. |
International Film Service Co. Inc. |
7 reels |
|
B&W |
|
| 1921 |
THE LAST DOOR. |
Selznick Pictures Corp. |
5 reels |
|
|
|
| 1921 |
THE WAY OF A MAID. |
Selznick Pictures Corp. |
5 reels |
|
B&W |
|
| 1922 |
LOVE'S MASQUERADE. |
Selznick Pictures Corp. |
5 reels |
|
|
|
| 1922 |
The Worldly Madonna ▶ |
Harry Garson |
62 min |
|
B&W |
|
| 1923 |
Homeward bound |
Ralph Ince |
70 min |
|
B&W |
|
| 1923 |
THE DANCER OF THE NILE. |
William P. S. Earle Pictures Inc. |
6 reels |
|
|
|
| 1935 |
RENDEZVOUS AT MIDNIGHT. |
Universal Pictures Corp. |
7 reels |
|
B&W |
|
| 1935 |
THE PEOPLE'S ENEMY. |
RKO Radio Pictures Inc. |
8 reels |
|
B&W |
|
| 1940 |
The Tulsa Kid. |
George Sherman |
6 reels |
|
Color & B&W |
|
| 1941 |
A Missouri Outlaw. |
George Sherman |
6 reels |
|
Color & B&W |
|
| 1942 |
Jesse James Jr. |
George Sherman |
6 reels |
|
Color & B&W |
|
| 1942 |
Stagecoach Express. |
George Sherman |
6 reels |
|
Color & B&W |
|
| 1953 |
The Big Heat |
Fritz Lang |
89 |
|
B&W |
|
| 1958 |
Kings Go Forth |
Collectors Book Store |
1:11 |
16mm |
B&W |
|
| 1961 |
Economic growth |
Henry M. Wriston William P. Bundy Lincoln Gordon NYU-TV Production Center T.F.X. Higgins Sam Silberman |
|
16mm |
|
|
| 1961 |
The Arts and Sciences |
Henry M. Wriston NYU-TV Production Center August Heckscher William P. Bundy T.F.X. Higgins Sam Silberman |
|
16mm |
|
|
| 1962 |
The living solid |
Norman Ross William P. Norris John H. Marshall David McElroy Clifford Braun John Suchy Russell Hunt Ross-McElroy Productions Argonne National Laboratory |
|
16mm |
|
|
| 1964 |
THE FILM PARADE. |
William P. S. Earle |
2066 |
35mm |
B&W |
sound |
| 1965 |
I saw what you did. |
Universal Pictures Co. Inc. |
28:00 |
35mm |
B&W |
sound |
| 1967 |
Where Angels Go Trouble Follows |
William Frye Productions Inc. |
94 min |
35mm |
Color |
sound |
| 1968 |
The wrecking crew. |
Columbia Pictures. |
105 min |
16mm |
Color |
sound |
| 1973 |
The Clay circus |
Texture Films, Inc. ; directed by Herman J. Engel. |
12 |
16mm |
Color |
sound |
| 1977 |
The pool shark |
Blackhawk Films presents ; Casino Star Comedies ; Gaumont ; directed by Edwin Middleton ; written by W.C. Fields. |
10 |
16mm |
B&W |
silent |
| 1978 |
A Piece Of The Rock |
a D'Angelo--Bullock--Allen [i.e. William P. D'Angelo--Ray Allen--Harvey Bullock] production; in association with Warner Brothers Television; produced by Bruce Johnson; directed by Bill Persky |
30 min |
|
|
sound |
| 1978 |
Alice Gets A Pass |
a D'Angelo--Bullock--Allen [i.e. William P. D'Angelo--Ray Allen--Harvey Bullock] production; in association with Warner Brothers Television; produced by Bruce Johnson; directed by Jim Drake |
30 min |
|
|
sound |
| 1978 |
Big Daddy Dawson's Coming |
a D'Angelo--Bullock--Allen [i.e. William P. D'Angelo--Ray Allen--Harvey Bullock] production; in association with Warner Brothers Television; [produced by Bruce Johnson; directed by Norman Abbott] |
30 min |
|
|
sound |
| 1978 |
Good Night, Sweet Vera |
a D'Angelo--Bullock--Allen [i.e. William P. D'Angelo--Ray Allen--Harvey Bullock] production; in association with Warner Brothers Television; [produced by Bruce Johnson; directed by Norman Abbott] |
30 min |
|
|
sound |
| 1978 |
Love And The Big Night |
William P. D'Angelo; directed by Seymour Robbie |
30 min |
|
|
sound |
| 1978 |
Mel's Cup |
a D'Angelo-Bullock-Allen [i.e. William P. D'Angelo--Ray Allen--Harvey Bullock] production; in association with Warner Brothers Television; [produced by Alan Rafkin; directed by Norman Abbott] |
30 min |
|
|
sound |
| 1978 |
Mel's Happy Burger |
a D'Angelo-Bullock-Allen [i.e. William P. D'Angelo--Ray Allen--Harvey Bullock] production: in association with Warner Brothers Television; [produced by Bruce Johnson: directed by Burt Brinckerhoff] |
30 min |
|
|
sound |
| 1978 |
Mother-In-Law |
a D'Angelo--Bullock--Allen [i.e. William P. D'Angelo--Ray Allen--Harvey Bullock] production; in association with Warner Brothers Television; [produced by Bruce Johnson; directed by William P. D'Angelo] |
30 min |
|
|
sound |
| 1978 |
Pay The Fifty Dollars |
a D'Angelo-Bullock-Allen [i.e. William P. D'Angelo--Ray Allen--Harvey Bullock] production; in association with Warner Brothers Television; [produced by Bruce Johnson; directed by Bill Persky] |
30 min |
|
|
sound |
| 1978 |
The Last Review |
a D'Angelo--Bullock--Allen [i.e. William P. D'Angelo--Ray Allen--Harvey Bullock] production; in association with Warner Brothers Television; [produced by Bruce Johnson; directed by James Sheldon] |
30 min |
|
|
sound |
| 1978 |
The Pain Of No Return |
a D'Angelo-Bullock-Allen [i.e. William P. D'Angelo--Ray Allen--Harvey Bullock] production; in association with Warner Brothers Television; [produced & directed by Alan Rafkin] |
30 min |
|
|
sound |
| 1978 |
Vera's Mortician |
a D'Angelo--Bullock--Allen [i.e. William P. D'Angelo--Ray Allen--Harvey Bullock] production; in association with Warner Brothers Television; [produced by Bruce Johnson; directed by Bill Hobin] |
30 min |
|
|
sound |
| 1978 |
Who Killed Bugs Bunny? |
A D'Angelo--Bullock--Allen [i.e. William P. D'Angelo--Ray Allen--Harvey Bullock] production; in association with Warner Brothers Television; [produced by Bruce Johnson; directed by Bruce Bilson] |
30 min |
|
|
sound |