| 1965 |
A patch of blue. |
Metro-Goldwyn-Mayer Inc. & Pandro S. Berman Productions Inc. |
105 min |
35mm |
B&W |
sound |
| 1959 |
Warlock. |
Twentieth Century-Fox Film Corp |
121 min |
35mm |
Color |
sound |
| 1958 |
The Last Hurrah |
John Ford |
1:21 |
|
B&W |
|
| 1958 |
Twilight For The Gods. |
Universal Pictures Co. Inc. |
119 min |
35mm |
Color |
sound |
| 1956 |
Stagecoach To Fury. |
Twentieth Century-Fox Film Corp |
76 min. |
35mm |
B&W |
sound |
| 1956 |
Thunder Over Arizona. |
Republic Pictures Corp |
8 reels |
35mm |
Color |
sound |
| 1955 |
THE SPOILERS. |
Universal Pictures Co. Inc. |
84 min. |
35mm |
Color |
sound |
| 1955 |
Wichita. |
Allied Artists Pictures Corp. |
81 min. |
35mm |
Color |
sound |
| 1953 |
The Boy From Oklahoma. |
Warner Bros. Pictures Inc. |
88 min. |
35mm |
Color |
sound |
| 1953 |
The great Jesse James raid. |
Jezebel Productions |
73 min. |
35mm |
Color |
sound |
| 1950 |
Harvey. |
Universal Pictures Co. Inc. |
104 min |
35mm |
B&W |
sound |
| 1950 |
THE BREAKING POINT |
Klein Ltd. |
97 min |
16mm |
B&W |
sound |
| 1950 |
The Furies |
Anthony Mann |
109 min |
16mm |
B&W |
|
| 1949 |
The Set-Up. |
Robert Wise |
73 min. |
35mm |
B&W |
sound |
| 1948 |
Shed No Tears. |
Jean Yarbrough |
70 min. |
16mm |
B&W |
sound |
| 1948 |
T-Men. |
Anthony Mann |
92 min. |
35mm |
B&W |
sound |
| 1945 |
The Great John L. |
Bing Crosby Productions |
90 min. |
16mm |
B&W |
silent |
| 1943 |
Shadow of a Doubt |
Universal Pictures Company Inc | Universal Pictures Corporation |
108 1:48:00 1:48:00 1:48:00 |
16mm |
B&W |
sound |
| 1943 |
The Ape Man. |
William Beaudine |
7 reels |
16mm |
B&W |
sound |
| 1943 |
The Cross Of Lorraine. |
Tay Garnett |
9 reels |
|
B&W |
sound |
| 1942 |
All Through the Night ▶ |
Vincent Sherman |
107 min |
|
B&W |
|
| 1942 |
Blues In The Night. |
Minoco Productions |
1 reel |
16mm |
B&W |
sound |
| 1942 |
Shadow Of A Doubt. |
Alfred Hitchcock |
11 reels. |
|
B&W |
|
| 1941 |
Blues in the Night |
Anatole Litvak |
89 min |
16mm |
B&W |
|
| 1941 |
Blues In The Night. |
Anatole Litvak |
88 min. |
|
B&W |
|
| 1941 |
Murder By Invitation. |
Phil Rosen |
7 reels |
|
B&W |
|
| 1941 |
Roar Of The Press. |
Phil Rosen |
8 reels |
|
B&W |
|
| 1940 |
Scatterbrain. |
Gus Meins |
8 reels |
|
B&W |
|
| 1939 |
BACK DOOR TO HEAVEN |
William K. Howard |
85 min |
|
B&W |
|
| 1939 |
BACK DOOR TO HEAVEN. |
Paramount Pictures Inc. |
9 reels |
|
B&W |
|
| 1938 |
Swing It, Sailor! |
Grand National |
6 reels |
16mm |
B&W |
sound |
| 1937 |
EXILED TO SHANGHAI. |
Republic Pictures Corp |
7 reels |
|
B&W |
|
| 1937 |
Jericho |
Thornton Freeland |
|
|
|
|
| 1937 |
O.H.M.S. |
Raoul Walsh |
87 min |
|
B&W |
|
| 1936 |
THE ROGUES' TAVERN. |
Puritan Pictures Corp. |
7 reels |
16mm |
B&W |
Sound |
| 1936 |
TWO IN THE DARK. |
RKO Radio Pictures Inc. |
8 reels |
|
B&W |
|
| 1935 |
ANOTHER FACE. |
RKO Radio Pictures Inc. |
7 reels |
|
B&W |
|
| 1935 |
GET THAT MAN. |
Empire Film Distributors Inc. |
7 reels |
|
B&W |
|
| 1935 |
MARY BURNS, FUGITIVE. |
Paramount Productions Inc. |
9 reels |
|
B&W |
|
| 1935 |
SHE COULDN'T TAKE IT. |
Columbia Pictures Corp. |
8 reels |
|
B&W |
|
| 1935 |
The mysterious Mr. Wong. |
Monogram Pictures Corp. |
7 reels |
16mm |
B&W |
sound |
| 1935 |
THE NUT FARM. |
Monogram Pictures Corp. |
7 reels |
16mm |
B&W |
sound |
| 1935 |
THE WHOLE TOWN'S TALKING. |
Columbia Pictures Corp. |
9 reels |
|
B&W |
|
| 1934 |
A WOMAN'S MAN. |
Monogram Pictures Corp. |
8 reels |
16mm |
B&W |
Sound |
| 1934 |
I HATE WOMEN. |
Goldsmith Productions Ltd. |
7 reels |
16mm |
|
Sound |
| 1934 |
MONEY MEANS NOTHING. |
Monogram Pictures Corp. |
7 reels |
16mm |
B&W |
Sound |
| 1934 |
The lost patrol. |
RKO Radio Pictures Inc. |
8 reels |
16mm |
B&W |
sound |
| 1934 |
THE MAN WHO RECLAIMED HIS HEAD. |
Universal Pictures Corp. |
9 reels |
|
B&W |
|
| 1933 |
EMPLOYEES' ENTRANCE. |
Vitaphone Corp. |
8 reels |
|
B&W |
|
| 1933 |
THE BIG CAGE. |
Universal Pictures Corp. |
8 reels |
16mm |
B&W |
Sound |