| 1944 |
EUROPA WOCHE NO. 82 |
UFA (Firm) |
4:00 |
16mm |
|
sound |
| 1944 |
EUROPA WOCHE NO. 83 |
UFA (Firm) |
4:00 |
16mm |
|
sound |
| 1944 |
EUROPA WOCHE NO. 84 |
UFA (Firm) |
4:00 |
16mm |
|
sound |
| 1944 |
EUROPA WOCHE NO. 85 |
UFA (Firm) |
4:00 |
16mm |
|
sound |
| 1944 |
EUROPA WOCHE NO. 86 |
UFA (Firm) |
4:00 |
16mm |
|
sound |
| 1944 |
EUROPA WOCHE NO. 87 |
UFA (Firm) |
4:00 |
16mm |
|
sound |
| 1944 |
EUROPA WOCHE NO. 88 |
UFA (Firm) |
3:00 |
16mm |
|
sound |
| 1944 |
EUROPA WOCHE NO. 89 |
UFA (Firm) |
4:00 |
16mm |
|
sound |
| 1944 |
EUROPA WOCHE NO. 90 |
UFA (Firm) |
4:00 |
16mm |
|
sound |
| 1944 |
EUROPA WOCHE NO. 91 |
UFA (Firm) |
4:00 |
16mm |
|
sound |
| 1944 |
EUROPA WOCHE NO. 92 |
UFA (Firm) |
4:00 |
16mm |
|
sound |
| 1944 |
EUROPA WOCHE NO. 93 |
UFA (Firm) |
4:00 |
16mm |
|
sound |
| 1944 |
EUROPA WOCHE NO. 94 |
UFA (Firm) |
3:00 |
16mm |
|
sound |
| 1944 |
EUROPA WOCHE NO. 95 |
UFA (Firm) |
4:00 |
16mm |
|
sound |
| 1944 |
EUROPA WOCHE NO. 97 |
UFA (Firm) |
4:00 |
16mm |
|
sound |
| 1944 |
EUROPA WOCHE NO. 99 |
UFA (Firm) |
4:00 |
16mm |
|
sound |
| 1944 |
Familie Buchholz. 2. Teil. |
UFA (Firm) |
|
16mm |
|
sound |
| 1944 |
Jugend musiziert. |
UFA (Firm) |
7:00 |
16mm |
|
sound |
| 1944 |
Träumerei. |
UFA (Firm) |
|
16mm |
|
sound |
| 1944 |
UFA Schmalfilm Magazin. No. 80 |
UFA (Firm) |
4:00 |
16mm |
|
sound |
| 1944 |
UFA Schmalfilm Magazin. No. 81 |
UFA (Firm) |
4:00 |
16mm |
|
sound |
| 1944 |
UFA Schmalfilm Magazin. No. 82 |
UFA (Firm) |
4:00 |
16mm |
|
sound |
| 1944 |
UFA Schmalfilm Magazin. No. 83 |
UFA (Firm) |
4:00 |
16mm |
|
sound |
| 1944 |
UFA Schmalfilm Magazin. No. 84 |
UFA (Firm) |
4:00 |
16mm |
|
sound |
| 1944 |
UFA Schmalfilm Magazin. No. 85 |
UFA (Firm) |
500 |
16mm |
|
sound |
| 1944 |
UFA Schmalfilm Magazin. No. 86 |
UFA (Firm) |
4:00 |
16mm |
|
sound |
| 1944 |
UFA Schmalfilm Magazin. No. 87 |
UFA (Firm) |
4:00 |
16mm |
|
sound |
| 1944 |
WEGE ZUM FORTSCHRITT |
UFA (Firm) |
|
16mm |
|
sound |
| 1944 |
Wenn Mutter schafft... |
Ufa-Lex Film |
450 |
16mm |
|
sound |
| 1945 |
Die Brüder Noltenius. |
UFA (Firm) |
|
16mm |
|
sound |
| 1945 |
EUROPA WOCHE NO. 100 |
UFA (Firm) |
4:00 |
16mm |
|
sound |
| 1946 |
Die Frau Meiner Traume |
UFA Filmkunst. Add. ti.: The Girl of my dreams |
|
|
|
|
| 1946 |
Grosse Liebe |
UFA Filmkunst. Add. ti.: The Great love |
|
|
|
|
| 1946 |
Meine Tante, Deine Tante |
UFA Filmkunst. Add. ti.: My aunt; your aunt |
|
|
|
|
| 1946 |
Opfergang |
UFA Filmkunst |
|
|
|
|
| 1950 |
GRIEF, PANIC AND UPHEAVAL |
UFA (Firm) |
|
16mm |
|
sound |
| 1952 |
Der letzte Mann [sound version]. |
UFA (Firm) |
|
16mm |
|
sound |
| 1960 |
Tomorrow is my turn |
Franco London Film (France), Gibé (France), Jonia Film (Italy), UFA (Germany); written by Armand Jammot and André Cayatte ; original idea by Armand Jammot ; adapted by André Cayatte and Pascal Jardin ; directed by Andre Cayatte. |
117 |
16mm |
B&W |
sound |
| 1970 |
The Eyes Have It -- Or Do They? |
UFA Films |
|
16mm |
|
sound |
| 1971 |
Frankfurt |
Ufa |
|
|
|
|
| 1971 |
Frankfurt Heute |
UFA Films |
|
16mm |
|
sound |
| 1971 |
Frankfurt: crossroads of Europe. |
UFA (Firm) |
22 |
16mm |
|
sound |
| 1976 |
The last laugh (Germany, 1924), the drunken sequence |
UFA ; producer, Erich Pommer ; director, F.W. Murnau ; screenplay, Carl Mayer. |
17 |
16mm |
B&W |
silent |
|
BALLETT IN CHILE |
Emelco-Ufa Prod. |
|
16mm |
|
sound |
|
BILDER AUS GROENLAND |
UFA (Firm) |
|
16mm |
|
silent |
|
BILDER VON DER MOLDAU |
UFA (Firm) |
|
16mm |
|
sound |
|
Die Meistersinger von Nuernberg. |
UFA (Firm) |
1:00 |
16mm |
|
sound |
|
EIN RÜCKBLICK AUF DIE DRITTE REICHSNÄHRSTANDSAUSTELLUNG |
UFA (Firm) |
|
16mm |
|
sound |
|
Emsland-Neuland. |
UFA (Firm) |
|
16mm |
|
sound |
|
FRÜHLING IN TRAKEHNEN |
UFA (Firm) |
4:00 |
16mm |
|
sound |