| 1946 |
My Dog Shep. |
Ford Beebe |
8 reels |
35mm |
B&W |
sound |
| 1946 |
Terrors On Horseback. |
Sam Newfield |
6 reels |
35mm |
B&W |
sound |
| 1947 |
Pioneer Justice. |
Ray Taylor |
55 min. |
35mm |
B&W |
sound |
| 1947 |
Return Of The Lash. |
Ray Taylor |
53 min. |
35mm |
B&W |
sound |
| 1948 |
No Orchids for Miss Blandish |
St. John Leigh Clowes |
102 min |
|
B&W |
|
| 1949 |
Shockproof ▶ |
Handy (Jam) Organization |
79 min |
16mm |
B&W |
sound |
| 1949 |
Shockproof. |
Douglas Sirk |
79 min. |
35mm |
B&W |
sound |
| 1952 |
Stop, you're killing me. |
Warner Bros. Pictures Inc. |
86 min. |
16mm |
Color |
sound |
| 1953 |
Fort Algiers. |
Erco Pictures Corp. |
78 min. |
35mm |
B&W |
sound |
| 1954 |
St John's Story |
ST JOHN'S UNIV Fordel Films Inc |
|
16mm |
|
sound |
| 1954 |
The Law Vs. Billy The Kid. |
Columbia Pictures Corp. |
8 reels |
35mm |
Color |
sound |
| 1954 |
The Saracen Blade. |
Columbia Pictures Corp. |
76 min. |
35mm |
Color |
sound |
| 1954 |
The student prince. |
Loew’s Incorporated |
106 min |
35mm |
Color |
sound |
| 1955 |
Naked Dawn. |
Universal Pictures Co. Inc. |
82 min. |
35mm |
Color |
sound |
| 1955 |
Value For Money |
Brentford Middlesex |
|
16mm |
|
sound |
| 1956 |
Up In The World |
The Rank Organisation Film Productions, Ltd |
90 min |
|
B&W |
sound |
| 1956 |
World In My Corner. |
Universal Pictures Co. Inc. |
82 min. |
35mm |
B&W |
sound |
| 1957 |
High Tide At Noon |
The Rank Organisation Film Productions, Ltd |
111 min |
|
Color & B&W |
sound |
| 1957 |
Tarzan And The Lost Safari. |
Sol Lesser Productions Inc. |
81 min. |
35mm |
Color |
sound |
| 1957 |
The Spanish gardener. |
Rank Organisation Film Productions |
3200 |
16mm |
Color & B&W |
sound |
| 1958 |
Corridors of Blood |
Robert Day |
86 min |
|
B&W |
|
| 1958 |
The snorkel. |
Clarion Films Ltd. |
74 min. |
35mm |
B&W |
sound |
| 1959 |
Holiday For Lovers. |
Twentieth Century-Fox Film Corp |
103 min |
35mm |
Color |
sound |
| 1959 |
Li’l Abner. |
Paramount Pictures Corp. & Triad Productions |
114 min |
35mm |
Color |
sound |
| 1960 |
Our dare-devil chief |
Blackhawk Films presents ; the Keystone Film Co. ; produced by Mack Sennett. |
23 |
16mm |
B&W |
silent |
| 1960 |
THE LOST WORLD. |
Saratoga Productions Inc. & Twentieth Century-Fox Film Corp. |
10 reels |
35mm |
Color |
sound |
| 1960/1961 |
St. John's Bread [unknown title] |
St. John's Bread |
|
|
|
|
| 1961 |
Days Of Thrills And Laughter |
Youngson Robert |
93 min |
16mm |
B&W |
sound |
| 1961 |
LOVER COME BACK. |
Universal Pictures Co. Inc. 7 Pictures Corp. Nob Hill Productions Inc. & Arwin Productions Inc. |
7 reels |
35mm |
Color |
sound |
| 1961 |
One, two, three |
Billy Wilder |
115 min |
|
B&W |
|
| 1961 |
Tender Is The Night. |
Twentieth Century-Fox Film Corp |
146 min |
35mm |
Color |
sound |
| 1963 |
Come Blow Your Horn. |
Paramount Pictures Corp. Essex Productions Inc. & Tandem Enterprises Inc. |
112 min |
35mm |
Color |
sound |
| 1963 |
Who's Been Sleeping In My Bed? |
Paramount Pictures Corp. Amro Productions Claude Productions Inc. & Mea Productions Inc. |
103 min |
35mm |
Color |
sound |
| 1963 |
Who's minding the store? |
York Pictures Corp. & Jerry Lewis Pictures Corp. |
90 min |
35mm |
Color |
sound |
| 1964 |
Fate Is The Hunter. |
Twentieth Century-Fox Film Corp |
106 min |
35mm |
B&W |
sound |
| 1964 |
St John's University, New York |
ST JOHN'S UNIV Beal William G |
|
16mm |
|
sound |
| 1965 |
The Liquidator. |
Metro-Goldwyn-Mayer British Studios Ltd. |
105 min |
35mm |
Color |
sound |
| 1966 |
The Oscar |
unknown |
119 |
16mm |
Color |
sound |
| 1967 |
BANNING. |
Universal Pictures |
102 min |
35 mm |
Color |
sound |
| 1967 |
Emerald Of Artatama |
Ideal Pictures Inc |
86 |
16mm |
Color |
sound |
| 1967 |
Matchless |
Dino de Laurentiis Cinematografica |
103 min |
|
Color |
sound |
| 1967 |
The King's Pirate |
Don Weis |
100 min |
|
Color |
|
| 1967 |
Tony Rome. |
Arcola-Millfield Productions & Twentieth Century-Fox Film Corp. |
106 min |
35mm |
Color |
sound |
| 1971 |
Diamonds Are Forever |
Danjaq |
119 min |
|
Color |
sound |
| 1972 |
Sitting Target |
Metro-Goldwyn-Mayer |
93 min |
|
Color |
sound |
| 1995 |
Crimson tide |
Tony Scott |
111 min |
|
Color |
|
|
Rangers Round-Up |
|
6 reels |
16mm |
|
Sound |
|
The Code of the Fearless |
|
6 reels |
16mm |
|
Sound |