| 1973 |
The Great American Beauty Contest |
American Broadcasting Companies, Inc |
74 min |
|
Color |
sound |
| 1969 |
GIDGET GROWS UP. |
Screen Gems division of Columbia Pictures Industries Inc. |
|
16mm |
|
sound |
| 1966 |
STAGECOACH. |
Twentieth Century-Fox Film Corp. & Martin Rackin Productions |
10 reels |
35mm |
Color |
sound |
| 1964 |
What A Way To Go |
Bear Films Inc And Audio Visual Associates |
111 min |
16mm |
Color |
sound |
| 1964 |
What A Way To Go! |
Apjac-Orchard Productions Inc. & Twentieth Century-Fox Film Corp. |
111 min |
35mm |
Color |
sound |
| 1963 |
Beach Party. |
Alta Vista Productions |
101 min |
35mm |
Color |
sound |
| 1963 |
The Carpetbaggers. |
Paramount Pictures Corp. & Embassy Pictures Corp. |
150 min |
35mm |
Color |
sound |
| 1955 |
How To Be Very, Very Popular. |
Twentieth Century-Fox Film Corp |
89 min. |
35mm |
Color |
sound |
| 1954 |
Dial M For Murder |
warner brothers |
101 min |
16mm |
Color & B&W |
sound |
| 1953 |
Marry Me Again. |
RKO Pictures Inc. |
73 min. |
35mm |
B&W |
sound |
| 1951 |
The Barefoot Mailman. |
Columbia Pictures Corp. |
83 min. |
35mm |
Color |
sound |
| 1950 |
For Heaven’s Sake. |
Twentieth Century-Fox Film Corp |
92 min. |
35mm |
B&W |
sound |
| 1950 |
The Petty Girl. |
Columbia Pictures Corp. |
87 min. |
35mm |
Color |
sound |
| 1949 |
Free For All. |
Universal-International |
83 min. |
35mm |
B&W |
sound |
| 1949 |
Reign Of Terror. |
Anthony Mann |
89 min. |
35mm |
B&W |
sound |
| 1949 |
Tell it to the judge |
Norman Foster |
88 min |
16mm |
B&W |
sound |
| 1949 |
Tell It To The Judge. |
Norman Foster |
87 min. |
35mm |
B&W |
sound |
| 1949 |
The Accused. |
William Dieterle |
101 min |
35mm |
B&W |
sound |
| 1948 |
Free For All. |
Charles Barton |
21 min. |
16mm |
B&W |
sound |
| 1948 |
Let's Live A Little. |
Richard Wallace |
85 min. |
35mm |
B&W |
sound |
| 1948 |
Sleep, My Love. |
Douglas Sirk |
96 min. |
35mm |
B&W |
sound |
| 1947 |
Heaven Only Knows. |
Albert S. Rogell |
98 min. |
35mm |
B&W |
sound |
| 1947 |
The Lost Moment. |
Martin Gabel |
89 min. |
35mm |
B&W |
sound |
| 1946 |
The Bride Wore Boots. |
Irving Pichel |
9 reels |
|
B&W |
|
| 1946 |
The Chase. |
Arthur Ripley |
86 min. |
35mm |
B&W |
sound |
| 1945 |
You Came Along. |
John Farrow |
11 reels. |
16mm |
B&W |
|
| 1943 |
Flesh And Fantasy. |
Universal-International |
94 min. |
16mm |
B&W |
Sound |
| 1943 |
Forever And A Day. |
René Clair, Edmund Goulding |
104 min |
|
B&W |
|
| 1943 |
Princess O'rourke |
warner brothers |
94 min. |
16mm |
B&W |
sound |
| 1942 |
Between Us Girls. |
Henry Koster |
9 reels |
|
B&W |
|
| 1942 |
Kings Row |
Sam Wood |
130 min |
|
B&W |
|
| 1942 |
Saboteur |
Alfred Hitchcock |
1:09 |
16mm |
B&W |
Sound |
| 1942 |
Saboteur |
Alfred Hitchcock |
108 min |
16mm |
B&W |
|
| 1941 |
Free And Easy. |
George Sidney |
6 reels |
|
B&W |
sound |
| 1941 |
It started with Eve. |
Henry Koster |
3150 |
16mm |
B&W |
sound |
| 1941 |
Moon Over Miami. |
Walter Lang |
8 225 ft. |
|
Color |
|
| 1940 |
And One Was Beautiful. |
Robert B. Sinclair |
7 reels |
|
B&W |
sound |
| 1940 |
Free And Easy. |
George Sidney |
56 min |
|
B&W |
|
| 1940 |
Private Affairs. |
Albert S. Rogell |
8 reels |
|
B&W |
|
| 1940 |
Spring parade. |
Universal Pictures |
10 reels |
16mm |
B&W |
Sound |
| 1939 |
Charlie Mccarthy, Detective, C1939. |
Universal-International |
9 reels |
16mm |
B&W |
Sound |
| 1939 |
Everything Happens At Night. |
Irving Cummings |
6 995 ft. |
|
B&W |
|
| 1939 |
RIO. |
Universal Pictures Co. Inc. |
8 reels |
16mm |
|
silent |
| 1939 |
THE UNDER-PUP. |
Universal Pictures Co. Inc. |
9 reels |
|
B&W |
|
| 1939 |
THREE SMART GIRLS GROW UP. |
Universal Pictures Co. Inc. |
10 reels |
16mm |
B&W |
Sound |
| 1938 |
[Trailers. Warner Bros. 1938-1945] / |
Warner Bros. |
7 |
16mm |
B&W |
sound |
| 1938 |
I STAND ACCUSED. |
Republic Pictures Corp |
7 reels |
|
B&W |
|
| 1938 |
THE TEXANS. |
Paramount Pictures Inc. |
10 reels |
16mm |
B&W |
Sound |
| 1938 |
TOUCHDOWN ARMY. |
Paramount Pictures Inc. |
7 reels |
|
B&W |
|
| 1937 |
SOPHIE LANG GOES WEST. |
Paramount Pictures Inc. |
6 reels |
|
B&W |
|