| ca. 1947 |
Reaching From Heaven |
Roland Reed. |
80 |
16mm |
B&W |
|
| 1998 |
The Waterboy |
Frank Coraci |
90 min |
|
Color |
|
| 1996 |
Shock Asylum ▶ |
Dan Dinello |
|
16mm |
B&W |
sound |
| 1994 |
Don't Talk To Strangers ▶ |
Robert Lewis |
90 min |
16mm |
Color |
sound |
| 1990 |
MEMPHIS BELLE ▶ |
Office Of War Information |
103 min |
|
Color |
|
| 1990 |
The Civil War |
Encyclopedia Britannica Films |
680 min |
|
Color |
|
| 1989 |
Skin deep |
Blake Edwards |
97 min |
|
Color |
|
| 1985 |
Black Arrow |
John Hough |
60 min. |
16mm |
|
|
| 1985 |
Christopher Columbus ▶ |
National Geographic |
280 min |
16mm |
|
sound |
| 1985 |
Christopher Columbus |
Alberto Lattuada |
280 min |
|
|
|
| 1983 |
Two of a kind |
John Herzfeld |
84 min |
|
Color |
|
| 1982 |
FILARIASIS ▶ |
Walter Reed Army Inst Of Research |
|
16mm |
|
sound |
| 1982 |
Survivors |
FIRST RUN FEATURES |
58 |
16mm |
Color |
sound |
| 1982 |
The Crucial Hour (Trauma Center) |
Walter Reed Army Inst Of Research |
13 min |
16mm |
|
sound |
| 1980 |
Smokey and the Bandit II |
Hal Needham |
100 min |
|
Color |
|
| 1979 |
Hot Stuff |
Dom DeLuise |
|
|
|
|
| 1979 |
Quincy's Quest |
Robert Reed |
|
|
|
|
| 1979 |
The Brood |
David Cronenberg |
92 min |
|
Color |
|
| 1978 |
Crossed Swords |
warner brothers |
113 min |
16mm |
|
sound |
| 1978 |
High-Ballin' |
American International release |
100 min |
|
Color |
sound |
| 1978 |
Physical Therapy Management Of Above - Knee And Below - Knee Amputees |
Walter Reed Army Inst Of Research |
23 min |
16mm |
|
sound |
| 1978 |
Smokey And The Bandit |
Universal Pictures; Rastar Productions |
97 min |
|
Color |
sound |
| 1978 |
THE GREAT BRAIN |
Sidney Levin |
4800 |
16mm |
|
sound |
| 1978 |
Tomorrow Never Comes |
Peter Collinson |
109 min |
|
Color |
|
| 1977 |
Anesthesia For One-Day Surgery In Phoenix, Az |
Wallace A. Reed |
13 min |
|
Color |
|
| 1977 |
Partners In Health |
U S Army Environmental Hygiene Agency Walter Reed Army Inst Of Research |
22 min |
16mm |
|
sound |
| 1977 |
Scraplab; Or, What Hath Nasa Wrought? |
Doug Reed |
19 min |
|
Color |
silent |
| 1977 |
The Phone Call |
BYU |
24 min |
16mm |
|
sound |
| 1976 |
Burnt Offerings |
Dan Curtis |
113 min |
|
Color |
|
| 1976 |
The sell out |
Hemdale ; produced by Josef Shaftel ; screenplay, Murray Smith and Judson Kinberg ; based on a story by Murray Smith ; directed by Peter Collinson. |
88 |
16mm |
Color |
sound |
| 1975 |
Royal Flash |
Zeeuwse Maatschappij, N.V |
98 min |
|
Color |
sound |
| 1975 |
The Four Musketeers |
Film Trust, S.A. & Este Films |
106 min |
|
Color |
sound |
| 1975 |
The Playful Pandas |
Coronet Films |
10 min |
|
Color |
|
| 1975 |
Tommy |
Ken Russell |
|
|
|
|
| 1975 |
W. W. And The Dixie Dancekings |
Twentieth Century-Fox Film Corporation |
90 min |
|
Color |
sound |
| 1974 |
And Then There Were None |
Peter Collinson |
98 min |
|
Color |
|
| 1974 |
Pray For The Wildcats |
American Broadcasting Companies, Inc |
85 min |
|
Color |
sound |
| 1974 |
The Take |
Columbia Pictures presents a World Film Services production |
93 min |
|
Color |
sound |
| 1973 |
A Thousand Victories |
Walter Reed Army Medical Center |
17 min |
16mm |
|
sound |
| 1973 |
Cipher In The Snow ▶ |
A Brigham Young University |
22 |
16mm |
Color |
sound |
| 1973 |
Diamonds On Wheels |
Walt Disney Productions, Ltd |
85 min |
|
Color |
sound |
| 1973 |
Getting Greg’S Goat |
Redwood Productions, Inc |
30 min |
|
Color |
sound |
| 1973 |
Jimi Hendrix |
Warner Brothers, Inc |
102 min |
|
Color |
sound |
| 1973 |
The Great American Beauty Contest |
American Broadcasting Companies, Inc |
74 min |
|
Color |
sound |
| 1973 |
The Great American cowboy |
Kieth Merrill |
89 min |
|
Color |
|
| 1973 |
The Three Musketeers |
Richard Lester |
|
|
|
|
| 1972 |
Big Little Man |
Redwood Productions, Inc, 30 min |
30 min |
|
Color |
sound |
| 1972 |
Follow Me! |
Carol Reed |
95 min |
|
Color |
|
| 1972 |
Sitting Target |
Metro-Goldwyn-Mayer |
93 min |
|
Color |
sound |
| 1972 |
The Groundstar Conspiracy |
Universal Pictures & Hal Roach Studios International |
96 min |
|
Color |
sound |