| 1944 |
Gentle Annie. |
Andrew Marton |
8 reels |
|
B&W |
sound |
| 1944 |
Outlaw roundup. |
Harry L. Fraser |
1760 |
16mm |
|
sound |
| 1944 |
Rainbow Island. |
Ralph Murphy |
10 reels |
|
|
sound |
| 1944 |
See Here, Private Hargrove. |
Wesley Ruggles, Tay Garnett |
10 reels |
|
B&W |
sound |
| 1944 |
Strange Affair. |
Alfred Edward Green |
8 reels |
|
B&W |
|
| 1944 |
THE WAY AHEAD |
Carol Reed |
115 min |
|
B&W |
|
| 1944 |
The Way Ahead |
Carol Reed |
115 min |
|
B&W |
|
| 1944 |
Wing And A Prayer. |
Henry Hathaway |
9 223 ft. |
|
B&W |
|
| 1945 |
Sing Me A Song Of Texas. |
Vernon Keays |
7 reels |
|
B&W |
|
| 1945 |
The True glory ▶ |
British Information Serv Film And Publication Division |
1:24:00 |
16mm |
B&W |
sound |
| 1945 |
They Were Expendable. |
John Ford |
14 reels |
|
B&W |
sound |
| 1946 |
CLEAR TO THE TOP ▶ |
Calvert Distillers Corp. Roland Reed |
|
|
|
|
| 1946 |
Faithful In My Fashion. |
Sidney Salkow |
8 reels |
35mm |
B&W |
sound |
| 1946 |
It's a wonderful life |
National Telefilm |
135 mi |
16mm |
B&W |
sound |
| 1946 |
Leave Her To Heaven. |
John M. Stahl |
9945 ft. |
35mm |
Color & B&W |
sound |
| 1947 |
[Animal farm--excerpt] |
produced and directed by John Halas and Joy Batchelor. |
|
16mm |
Color |
sound |
| 1947 |
Banjo. |
Richard Fleischer |
68 min. |
35mm |
B&W |
sound |
| 1947 |
Big Town After Dark. |
William C. Thomas |
70 min. |
35mm |
B&W |
sound |
| 1947 |
Green Dolphin Street. |
Director, Victor Saville. |
141 min |
35mm |
B&W |
sound |
| 1947 |
I Cover Big Town. |
William C. Thomas |
63 min. |
|
B&W |
sound |
| 1947 |
It's A Wonderful Life. |
Liberty Films |
129 min |
35mm |
B&W |
sound |
| 1947 |
Moss Rose. |
Gregory Ratoff |
82 min. |
35mm |
B&W |
sound |
| 1948 |
Angel On The Amazon. |
John H. Auer |
86 min. |
35mm |
B&W |
sound |
| 1948 |
Beyond glory. |
John Farrow |
2950 |
16mm |
B&W |
sound |
| 1948 |
Big Town Scandal. |
William C. Thomas |
62 min. |
35mm |
B&W |
sound |
| 1948 |
Black Bart. |
George Sherman |
80 min. |
35mm |
Color |
sound |
| 1948 |
Courtin' Trouble. |
Ford Beebe |
56 min. |
35mm |
B&W |
sound |
| 1948 |
Daughter Of Darkness. |
Lance Comfort |
91 min. |
35mm |
B&W |
sound |
| 1948 |
Daybreak |
Encyclopedia Britannica Educ. Corp |
9 min |
16mm |
|
sound |
| 1948 |
Last Of The Wild Horses. |
Robert L. Lippert |
84 min. |
35mm |
B&W |
sound |
| 1948 |
Mystery In Mexico. |
Robert Wise |
66 min. |
35mm |
B&W |
sound |
| 1948 |
Panhandle. |
Lesley Selander |
85 min. |
35mm |
B&W |
sound |
| 1948 |
Song Of The Drifter. |
Lambert Hillyer |
53 min. |
35mm |
B&W |
sound |
| 1948 |
T-Men. |
Anthony Mann |
92 min. |
35mm |
B&W |
sound |
| 1948 |
The Fallen Idol |
Carol Reed |
95 |
16mm |
B&W |
sound |
| 1948 |
The Fallen Idol. |
Carol Reed |
94 min. |
35mm |
B&W |
sound |
| 1948 |
The Iron Curtain |
William A. Wellman |
12:00 |
|
B&W |
|
| 1948 |
Unknown Island. |
Jack Bernhard |
78 min. |
35mm |
Color |
sound |
| 1949 |
Chicago Deadline. |
Paramount Pictures Inc. |
87 min. |
35mm |
B&W |
sound |
| 1949 |
Daybreak. |
Compton Bennett |
2 reels |
16mm |
B&W |
sound |
| 1949 |
Fallen idol |
directed and produced by Carol Reed. |
92 |
16mm |
B&W |
sound |
| 1949 |
I Shot Jesse James. |
executive producer, Robert L. Lippert; producer, Carl K. Hittleman ; director and script, Samuel Fuller. |
81 min. |
35mm |
B&W |
sound |
| 1949 |
The Third man |
British Lion Production Assets | Carol Reed Productions | Classic Film Distribution | London Film Productions Ltd |
1:33:00 |
16mm |
B&W |
sound |
| 1949 |
The Third Man. |
London Film Productions |
93 min. |
35mm |
B&W |
sound |
| 1950 |
Beauty that lasts forever. |
Roland Reed Productions |
840 |
16mm |
|
sound |
| 1950 |
Blackout |
Robert S. Baker |
|
|
|
|
| 1950 |
Dallas. |
Warner Bros. Pictures Inc. |
94 min. |
35mm |
Color |
sound |
| 1950 |
Flying Disc Man from Mars |
Fred C. Brannon |
136 min |
|
B&W |
|
| 1950 |
Flying Disc Man From Mars. |
Republic Pictures Corp |
2 reels |
35mm |
B&W |
sound |
| 1950 |
ROCK ISLAND TRAIL |
Joseph Kane |
90 min |
16mm |
Color |
sound |