| 1952 |
I'll get by. |
Richard Sale |
1:30 |
16mm |
|
sound |
| 1952 |
Japanese war bride. |
Twentieth Century-Fox Film Corp |
91 min. |
35mm |
B&W |
sound |
| 1950s |
THE TURNING POINT ▶ |
MONARCH MACHINE TOOL COMPANY |
85 min |
|
Color & B&W |
|
| 1950 |
Destination Moon |
Irving Pichel |
91 min |
|
Color |
|
| 1950 |
I’ll Get By. |
Twentieth Century-Fox Film Corp |
83 min. |
35mm |
Color |
sound |
| 1950 |
RIGHT CROSS |
John Sturges |
90 min |
16mm |
B&W |
sound |
| 1950 |
The Jackpot. |
Twentieth Century-Fox Film Corp |
85 min. |
35mm |
B&W |
sound |
| 1949 |
Down To The Sea In Ships. |
Twentieth Century-Fox Film Corporation. |
120 min |
35mm |
B&W |
sound |
| 1949 |
Top O' The Morning. |
David Miller |
98 min. |
35mm |
B&W |
sound |
| 1949 |
Without Honor. |
Strand Productions, Inc. ; producers, Robert Hakim, Raymond Hakim ; writer, James Poe ; additional dialogue, DeWitt Bodeen ; direction, Irving Pichel. |
76 min. |
35mm |
B&W |
sound |
| 1948 |
Key Largo |
John Huston |
1:00 |
16mm |
B&W |
|
| 1948 |
Key Largo. |
John Huston |
101 min |
35mm |
B&W |
sound |
| 1948 |
Sealed Verdict. |
Lewis Allen |
83 min. |
35mm |
B&W |
sound |
| 1948 |
The Street with No Name |
Twentieth Century-Fox Film Corporation |
1:31:00 |
16mm |
B&W |
sound |
| 1948 |
The Street With No Name. |
William Keighley |
91 min. |
35mm |
B&W |
sound |
| 1948 |
Trouble Makers. |
Reginald LeBorg |
61 min. |
35mm |
B&W |
sound |
| 1948 |
Unfaithfully Yours |
Twentieth Century-Fox Film Corporation |
1:45:00 |
16mm |
B&W |
sound |
| 1948 |
Unfaithfully yours |
$h [motion pictures] / 20th Century Fox ; an original screen play written, directed and produced by Preston Sturges. |
105 |
16mm |
B&W |
sound |
| 1948 |
Unfaithfully Yours. |
Preston Sturges |
105 min |
35mm |
B&W |
sound |
| 1947 |
Dark Delusion. |
Willis Goldbeck |
90 min. |
35mm |
B&W |
sound |
| 1947 |
Death in High Heels |
Lionel Tomlinson |
48 min |
|
B&W |
|
| 1947 |
Duel In The Sun |
unknown |
129 min |
16mm |
Color & B&W |
sound |
| 1947 |
It's A Wonderful Life. |
Liberty Films |
129 min |
35mm |
B&W |
sound |
| 1947 |
My Favorite Brunette |
Dist By Aims Media |
87 min. |
16mm |
B&W |
sound |
| 1947 |
The Trouble with women |
Sidney Lanfield |
80 min |
|
B&W |
|
| 1947 |
The Trouble With Women. |
Sidney Lanfield |
81 min. |
35mm |
B&W |
sound |
| 1947 |
Variety Girl. |
George Marshall |
93 min. |
35mm |
B&W |
sound |
| 1946 |
Duel In The Sun. |
Vanguard Films |
138 min |
35mm |
Color |
sound |
| 1946 |
It's a wonderful life |
National Telefilm |
135 mi |
16mm |
B&W |
sound |
| 1946 |
Specter Of The Rose. |
Ben Hecht |
10 reels |
35mm |
B&W |
sound |
| 1946 |
Three Wise Fools. |
Edward Buzzell |
9 reels |
35mm |
B&W |
sound |
| 1945 |
A Medal For Benny. |
Irving Pichel |
8 reels |
|
B&W |
|
| 1945 |
Fog Island. |
Terry O. Morse |
7 reels |
16mm |
B&W |
sound |
| 1945 |
The Valley Of Decision. |
Tay Garnett |
12 reels |
|
B&W |
sound |
| 1944 |
3 Men in White |
Willis Goldbeck |
85 min |
|
B&W |
|
| 1944 |
House Of Frankenstein. |
Erle C. Kenton |
7 reels |
|
B&W |
|
| 1944 |
Lady In The Death House. |
Steve Sekely |
6 reels |
|
B&W |
|
| 1944 |
Raiders Of Ghost City. |
Lewis D. Collins, Ray Taylor |
2 reels |
|
B&W |
|
| 1944 |
Secrets Of Scotland Yard. |
George Blair |
7 reels |
|
B&W |
|
| 1943 |
DR. GILLESPIE'S CRIMINAL CASE. |
Loew's Inc. |
9 reels |
|
B&W |
sound |
| 1943 |
GUADALCANAL DIARY |
Lewis Seiler |
93 min |
|
B&W |
|
| 1943 |
GUADALCANAL DIARY |
Films, Inc |
93min |
16mm |
B&W |
Sound |
| 1943 |
Tahiti Honey. |
John H. Auer |
7 reels |
|
Color |
|
| 1942 |
CALLING DR. GILLESPIE. |
Metro-Goldwyn-Mayer. |
8 reels |
|
B&W |
sound |
| 1942 |
DR. GILLESPIE'S NEW ASSISTANT. |
Loew's Inc. |
9 reels |
|
B&W |
sound |
| 1942 |
Night Monster. |
Ford Beebe |
7 reels |
|
B&W |
|
| 1942 |
Sherlock Holmes and the Secret Weapon |
Roy William Neill |
68 min |
16mm |
B&W |
|
| 1942 |
Sherlock Holmes And The Secret Weapon. |
Universal Pictures |
7 reels |
16mm |
B&W |
sound |
| 1942 |
Tennessee Johnson. |
William Dieterle |
10 reels |
|
B&W |
sound |
| 1942 |
The Strange Case Of Doctor Rx. |
William Nigh |
7 reels |
|
Color & B&W |
|