| 1939 |
Balalaika |
Reinhold Schünzel |
104 min |
|
B&W |
|
| 1939 |
Calling Dr. Kildare |
Harold S. Bucquet |
86 min |
|
B&W |
|
| 1939 |
Drums Along the Mohawk |
Teaching Film Custodians |
1200 ft. |
|
Color & B&W |
|
| 1939 |
Drums Along The Mohawk. |
John Ford |
9 303 ft. |
|
Color & B&W |
|
| 1939 |
ETERNALLY YOURS |
Tay Garnett |
87 min |
|
B&W |
|
| 1939 |
Let Freedom Ring |
Jack Conway |
87 min |
|
B&W |
|
| 1939 |
ON BORROWED TIME. |
Loew's Inc. |
10 reels |
|
B&W |
|
| 1939 |
SON OF FRANKENSTEIN. |
Universal Pictures Co. Inc. |
11 reels. |
16mm |
B&W |
sound |
| 1939 |
THE GIRL FROM MEXICO. |
RKO Radio Pictures Inc. |
71 min |
|
B&W |
|
| 1939 |
The Hound of the Baskervilles |
Learning Corporation of America |
80 |
16mm |
B&W |
sound |
| 1939 |
THE MAD EMPRESS. |
First National. |
8 reels |
|
B&W |
|
| 1939 |
The Secret of Dr. Kildare |
Harold S. Bucquet |
84 min |
|
B&W |
|
| 1939 |
The Sun Never Sets |
Allegro Film Productions |
97 min |
16mm |
B&W |
sound |
| 1939 |
The sun never sets. |
Universal Pictures Co. Inc. |
10 reels |
16mm |
B&W |
sound |
| 1939 |
What a Life. |
Paramount Pictures Inc. |
8 reels |
16mm |
B&W |
silent |
| 1940 |
Boom Town. |
Metro-Goldwyn-Mayer. |
13 reels |
16mm |
B&W |
sound |
| 1940 |
Charlie Chan In Panama. |
Norman Foster |
6061 ft. |
|
B&W |
|
| 1940 |
Charlie Chan's Murder Cruise. |
Eugene Forde |
6 315 ft. |
|
B&W |
|
| 1940 |
DR. KILDARE'S CRISIS. |
Harold S. Bucquet |
75 min |
|
B&W |
|
| 1940 |
DR. KILDARE'S STRANGE CASE. |
Harold S. Bucquet |
77 min |
|
B&W |
|
| 1940 |
The Philadelphia Story. |
George Cukor |
12 reels |
|
B&W |
sound |
| 1940 |
Tin Pan Alley. |
Walter Lang |
9 000 ft. |
|
B&W |
|
| 1940 |
Tom Brown's School Days. |
Robert Stevenson |
81 min. |
|
B&W |
|
| 1941 |
A woman's face |
Loew's Inc. (Publisher) | Metro Goldwyn Mayer: Publisher |
1:45:00 |
16mm |
B&W |
sound |
| 1941 |
A Woman's Face. |
George Cukor |
12 reels |
|
B&W |
sound |
| 1941 |
Man Made Monster. |
George Waggner |
7 reels |
|
|
|
| 1941 |
The Bad Man. |
Richard Thorpe |
7 reels |
|
B&W |
|
| 1941 |
The Mad Doctor Of Market Street. |
Joseph H. Lewis |
6 reels |
|
B&W |
|
| 1941 |
The Penalty. |
Harold S. Bucquet |
8 reels |
|
B&W |
sound |
| 1942 |
CALLING DR. GILLESPIE. |
Metro-Goldwyn-Mayer. |
8 reels |
|
B&W |
sound |
| 1942 |
DR. GILLESPIE'S NEW ASSISTANT. |
Loew's Inc. |
9 reels |
|
B&W |
sound |
| 1942 |
Night Monster. |
Ford Beebe |
7 reels |
|
B&W |
|
| 1942 |
Sherlock Holmes and the Secret Weapon |
Roy William Neill |
68 min |
16mm |
B&W |
|
| 1942 |
Sherlock Holmes And The Secret Weapon. |
Universal Pictures |
7 reels |
16mm |
B&W |
sound |
| 1942 |
Tennessee Johnson. |
William Dieterle |
10 reels |
|
B&W |
sound |
| 1942 |
The Strange Case Of Doctor Rx. |
William Nigh |
7 reels |
|
Color & B&W |
|
| 1942 |
To be or not to be |
Ernst Lubitsch |
93 min |
|
B&W |
|
| 1942 |
To be or not to be |
United Artists ; producer, Vincent Korda ; director, Ernst Lubitsch. |
81 |
16mm |
B&W |
sound |
| 1943 |
DR. GILLESPIE'S CRIMINAL CASE. |
Loew's Inc. |
9 reels |
|
B&W |
sound |
| 1943 |
GUADALCANAL DIARY |
Lewis Seiler |
93 min |
|
B&W |
|
| 1943 |
GUADALCANAL DIARY |
Films, Inc |
93min |
16mm |
B&W |
Sound |
| 1943 |
Tahiti Honey. |
John H. Auer |
7 reels |
|
Color |
|
| 1944 |
3 Men in White |
Willis Goldbeck |
85 min |
|
B&W |
|
| 1944 |
House Of Frankenstein. |
Erle C. Kenton |
7 reels |
|
B&W |
|
| 1944 |
Lady In The Death House. |
Steve Sekely |
6 reels |
|
B&W |
|
| 1944 |
Raiders Of Ghost City. |
Lewis D. Collins, Ray Taylor |
2 reels |
|
B&W |
|
| 1944 |
Secrets Of Scotland Yard. |
George Blair |
7 reels |
|
B&W |
|
| 1945 |
A Medal For Benny. |
Irving Pichel |
8 reels |
|
B&W |
|
| 1945 |
Fog Island. |
Terry O. Morse |
7 reels |
16mm |
B&W |
sound |
| 1945 |
The Valley Of Decision. |
Tay Garnett |
12 reels |
|
B&W |
sound |