| 1972 |
[Après documenta V] |
film by Michel de Rivaz. |
7 |
16mm |
Color |
silent |
| 1972 |
[Après documenta V] / |
[film by Michel de Rivaz]. |
7 |
16mm |
Color |
silent |
| 1972 |
A Place To Call Home |
See Univ Of Kansas |
|
16mm |
|
sound |
| 1972 |
Brother Sun, Sister Moon |
Paramount Pictures Corporation |
116 min |
16mm |
Color |
sound |
| 1972 |
Dark places |
a James Hannah Jr. production ; written by Ed Brennan & Joseph Van Winkle ; directed by Don Sharp. |
91 |
16mm |
Color |
sound |
| 1972 |
Dirty Little Billy |
WRG/Dragoti |
93 min |
|
Color |
sound |
| 1972 |
Dracula A. D. 1972 |
Hammer Film Productions, Ltd |
10 reels |
|
Color |
sound |
| 1972 |
Dracula AD 1972 |
Alan Gibson |
|
|
|
|
| 1972 |
Fist of Fury |
Lo Wei |
115 min |
|
Color |
|
| 1972 |
Leisure 2000 ▶ |
Lee Robert |
|
16mm |
|
sound |
| 1972 |
Necromancy |
Zenith International Pictures Corp |
82 min |
|
Color |
sound |
| 1972 |
Pocket Money |
First Artists Production Co |
102 min |
|
Color |
sound |
| 1972 |
Portnoy's Complaint |
Warner Bros |
101 min |
|
Color |
sound |
| 1972 |
Prime Cut |
National General Pictures |
86 min |
|
Color |
sound |
| 1972 |
Sickle - Cell Anemia |
Lee Creative Communications Inc |
|
16mm |
|
sound |
| 1972 |
Snoopy, Come Home! |
Lee Mendelson-Bill Melendez Production |
80 min |
|
Color |
sound |
| 1972 |
Thank You |
Family Films |
265 min |
16mm |
|
sound |
| 1972 |
The 217 In 402 |
Don/Lee Productions |
26 min |
|
Color |
sound |
| 1972 |
The Cowboys |
Mark Rydell |
129 min |
|
Color |
|
| 1972 |
The Doomsday Machine |
Harry Hope, Lee Sholem |
|
|
|
|
| 1972 |
The Magnificent Seven Ride! |
Mirisch Productions |
100 min |
|
Color |
sound |
| 1972 |
The Partners — Headlines For Higgenbottom |
Don/Lee Productions |
Approx. 26 min. each |
|
Color |
sound |
| 1972 |
The Partners — The Magnificient Perception |
Don/Lee Productions |
Approx. 26 min. each |
|
Color |
sound |
| 1972 |
The Partners — Two In A Pen |
Don/Lee Productions |
Approx. 26 min. each |
|
Color |
sound |
| 1972 |
The Partners — Two Or False |
Don/Lee Productions |
Approx. 26 min. each |
|
Color |
sound |
| 1972 |
The Salzburg Connection |
Twentieth Century-Fox Film Corp |
10 reels |
|
Color |
sound |
| 1972 |
Way of the Dragon |
Bruce Lee |
100 min |
|
Color |
|
| 1973 |
[Mr. Corbett's holiday] |
David Lee |
|
|
|
|
| 1973 |
A Charlie Brown Thanksgiving |
Lee Mendelson & Bill Melendez in cooperation with United Feature Syndicate, Inc |
1 reel |
|
Color |
sound |
| 1973 |
A Delicate Balance |
Tony Richardson |
132 min |
|
Color |
|
| 1973 |
A Resentful Woman |
Lee Yu-seob |
|
|
|
|
| 1973 |
Emperor Of The North |
Inter Hemisphere Productions, Ltd |
120 min |
|
Color |
sound |
| 1973 |
Fist of Unicorn |
Tang Ti |
93 min |
|
Color |
|
| 1973 |
Gordon’S War |
Palomar Pictures International, Inc |
90 min |
|
Color |
sound |
| 1973 |
Nothing But The Night |
Charlemagne Productions, Ltd |
90 min |
|
Color |
sound |
| 1973 |
Sweet Jesus, Preacherman |
Metro-Goldwyn-Mayer |
99 min |
|
Color |
sound |
| 1973 |
The Creeping Flesh |
World Film Services, Ltd |
91 min |
|
Color |
sound |
| 1973 |
The Exorcist |
William Friedkin |
122 min |
|
Color |
|
| 1973 |
The Exorcist |
William Friedkin |
122 min |
|
Color |
|
| 1973 |
The Forgotten aka Don't Look in the Basement |
S.F. Brownrigg |
|
|
|
|
| 1973 |
The Girl Most Likely To |
American Broadcasting Companies, Inc |
74 min |
|
Color |
sound |
| 1973 |
The Laughing Policeman |
Twentieth Century Fox Film Corporation |
112 min |
|
Color |
sound |
| 1973 |
The Man Who Loved Cat Dancing |
Metro-Goldwyn-Mayer |
115 min |
|
Color |
sound |
| 1973 |
The Solid Gold Kidnapping |
Universal City Studios, Inc |
53 min |
|
Color |
sound |
| 1973 |
The Wicker Man |
Robin Hardy |
86 min |
|
Color |
|
| 1974 |
A New Ball Came For Willie Mays |
Lee Mendelson Film Productions in association with Sheldon Fay Productions |
52 min |
|
Color |
sound |
| 1974 |
Bicycles Are Beautiful |
Dennis Films Inc |
|
16mm |
|
sound |
| 1974 |
Bicycles are Beautiful |
|
|
|
|
|
| 1974 |
Bicycles are beautiful |
|
|
|
|
|
| 1974 |
Chinatown |
Roman Polanski |
131 min |
16mm |
Color |
|