Karel Reisz
Czech-born British director, producer, film theorist, theatre director (1926-2002)
Karel Reisz was a Czech-born British filmmaker and film critic, one of the pioneers of the new realist strain in British cinema during the 1950s and 1960s. Two of the best-known films he directed are Saturday Night and Sunday Morning (1960), a classic of kitchen sink realism, and the romantic period drama The French Lieutenant's Woman (1981).
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Filmography in the catalog
Credited on 14 films (1955–1990) — matched by name in the Creator or Credits field.
| Year ▼ | Title | Creator | Length | Format | Color | Sound |
|---|---|---|---|---|---|---|
| 1990 | Everybody wins! | Karel Reisz | 8:00 | 16mm | Color | sound |
| 1978 | Who'll Stop the Rain | Karel Reisz | 126 min | Color | ||
| 1974 | The Gambler | Karel Reisz | ||||
| 1968 | Isadora | Karel Reisz | 131 min | Color | ||
| 1966 | Isadora. | British Broadcasting Corporation | 2419 | 16mm | Color | sound |
| 1966 | Morgan! | Karel Reisz | ||||
| 1966 | Morgan: A suitable case for treatment. | Karel Reisz | 97 min | 16mm | B&W | sound |
| 1964 | NIGHT MUST FALL. | Metro-Goldwyn-Mayer British Studios Ltd. | 12 reels | 35mm | B&W | sound |
| 1959 | We Are The Lambeth Boys | Contemporary Films | 53 min | 16mm | sound | |
| 1959 | We are the Lambeth Boys | Karel Reisz | 53 min | |||
| 1957 | Every Day Except Christmas ▶ | Lindsay Anderson | 41 min | 16mm | B&W | sound |
| 1957 | Every day except Christmas | Lindsay Anderson | 41 min | |||
| 1955 | Momma don't allow | McGraw-Hill | 22 | 16mm | B&W | sound |
| 1955 | Momma don't allow | Tony Richardson, Karel Reisz | 22 min | B&W |