| 1977 |
A Bridge Too Far |
Joseph E. Levine Presents, Inc |
176 min |
|
Color |
sound |
| 1973 |
Japan: The Land and the People (2nd edition) |
Coronet Films |
16 min |
|
Color |
|
| 1973 |
Southeast Asia - Malaysia And Singapore |
Coronet |
14 min |
16mm |
Color |
sound |
| 1973 |
Southeast Asia: Vietnam, Cambodia, Laos |
Coronet Films |
21 |
16mm |
Color |
sound |
| 1972 |
Southeast Asia: Burma and Thailand |
Coronet Films |
14 min |
|
Color |
|
| 1970 |
Israel: The Land and the People |
Constitutional Rights Foundation | Coronet Instructional Films |
0:22:00 |
16mm |
Color |
sound |
| 1969 |
Stiletto |
Avco Embassy Pictures Corporation |
100 min |
16mm |
Color |
sound |
| 1966 |
Spara forte, più forte, non capisco |
Err:509 |
100 |
16mm |
Color |
sound |
| 1966 |
The Campaign Of Vicksburg. |
Joseph E. Barrett & Fred E. Schoen |
|
16mm |
Color |
sound |
| 1964 |
Asia: A Continental Overview. |
Coronet Instructional Films |
16 14 min. |
16mm |
B&W |
sound |
| 1964 |
Where Love Has Gone |
Paramount Pictures Corp. & Embassy Pictures Corp. |
111 min |
35mm |
Color |
sound |
| 1963 |
The toll gate |
Blackhawk Films presents ; William S. Hart Co. ; directed by Lambert Hillyer. |
45 |
16mm |
B&W |
silent |
| 1958 |
A Stranger In My Arms. |
Universal Pictures Co. Inc. |
88 min. |
35mm |
B&W |
sound |
| 1958 |
Monster On The Campus. |
Universal Pictures Co. Inc. |
76 min. |
35mm |
B&W |
sound |
| 1958 |
Ride A Crooked Trail. |
Universal Pictures Co. Inc. |
88 min. |
35mm |
Color |
sound |
| 1958 |
The Saga Of Hemp Brown. |
Universal Pictures Co. Inc. |
79 min. |
35mm |
Color |
sound |
| 1957 |
Southeast Asia: Lands and Peoples |
Coronet Films |
13 min |
|
Color |
|
| 1957 |
The Monolith Monsters. |
Universal Pictures Co. Inc. |
77 min. |
35mm |
B&W |
sound |
| 1957 |
The Philippines: Gateway to the Far East |
Coronet Films |
11 min |
|
Color |
|
| 1956 |
India and Pakistan: Lands and Peoples |
Coronet Films |
13 min |
|
Color |
|
| 1955 |
Abbott and Costello Meet the Mummy |
Universal Pictures Co. Inc. |
78 min |
16mm |
B&W |
sound |
| 1955 |
Abbott And Costello Meet The Mummy. |
Universal Pictures Co. Inc. |
9 reels |
35mm |
B&W |
sound |
| 1955 |
Female On The Beach. |
Universal Pictures Co. Inc. |
97 min. |
35mm |
B&W |
sound |
| 1955 |
Tarantula. |
Universal Pictures Co. Inc. |
80 min. |
35mm |
B&W |
sound |
| 1955 |
The Middle East: Crossroads of Three Continents |
Coronet Films |
14 min |
|
Color |
|
| 1955 |
To Hell And Back. |
Universal Pictures Co. Inc. |
106 min |
35mm |
Color |
sound |
| 1954 |
Naked Alibi. |
Universal Pictures Co. Inc. |
86 min. |
35mm |
B&W |
sound |
| 1952 |
Japan: The Land and the People |
Coronet Films |
10 min |
|
Color |
|
| 1951 |
The Strange Door. |
Universal Pictures Co. Inc. |
81 min. |
35mm |
B&W |
sound |
| 1950 |
Glacier Park studies |
Guy D. Haselton Productions presents ; produced by Guy D. Haselton ; written by Joseph E. Johnston. |
22 |
16mm |
Color |
sound |
| 1947 |
Tide pool life |
Simmel-Meservey presents ; a T. Taylor production ; produced by T. Taylor ; written by Joseph E. Johnston. |
11 |
16mm |
Color |
sound |