| 1932 |
THE SIGN OF THE CROSS. |
Paramount Publix Corp. |
14 reels |
|
B&W |
|
| 1933 |
The invisible man. |
Universal Pictures Corp. |
8 reels |
16mm |
B&W |
sound |
| 1933 |
THE STORY OF TEMPLE DRAKE. |
Paramount Productions Inc. |
8 reels |
|
B&W |
|
| 1933 |
This Day and Age |
Paramount Productions Inc | Paramount Publix Corporation |
1:25:00 |
16mm |
B&W |
sound |
| 1933 |
THIS DAY AND AGE. |
Paramount Productions Inc. |
9 reels |
|
B&W |
|
| 1933 |
TO THE LAST MAN. |
Paramount Productions Inc. |
8 reels |
|
B&W |
|
| 1934 |
The Black Cat |
Universal Pictures Company | Universal Pictures Corporation |
1:06:00 |
16mm |
B&W |
sound |
| 1934 |
THE BLACK CAT, |
Universal Pictures Corp. |
7 reels |
|
B&W |
|
| 1935 |
ALIAS MARY DOW. |
Universal Pictures Corp. |
7 reels |
16mm |
B&W |
Sound |
| 1935 |
She Gets Her Man. |
Universal Pictures Corp. |
7 reels |
16mm |
B&W |
sound |
| 1936 |
DRACULA'S DAUGHTER. |
Universal Productions Inc. |
8 reels |
|
|
|
| 1936 |
UNDER TWO FLAGS. |
Fox Film Corp |
8 reels |
|
B&W |
|
| 1937 |
DANGER—LOVE AT WORK. |
Fox Film Corp |
84 min |
|
B&W |
|
| 1937 |
NANCY STEELE IS MISSING. |
Fox Film Corp |
84 min |
|
B&W |
|
| 1938 |
ALEXANDER'S RAGTIME BAND. |
Fox Film Corp |
1 reel |
|
B&W |
|
| 1938 |
GATEWAY. |
Fox Film Corp |
75 min |
|
B&W |
|
| 1939 |
Stagecoach |
Culver City |
|
16mm |
|
sound |
| 1941 |
Swamp Water |
Twentieth Century-Fox Film Corporation |
1:28:00 |
16mm |
B&W |
sound |
| 1943 |
Isle of Forgotten Sins |
Edgar G. Ulmer |
|
|
|
|
| 1943 |
Revenge Of The Zombies. |
Steve Sekely |
6 reels |
|
|
|
| 1943 |
The Mummy's Ghost. |
Reginald Le Borg |
6 reels |
|
|
|
| 1944 |
A Night Of Adventure. |
Gordon Douglas |
65 min. |
|
|
|
| 1944 |
Alaska. |
George Archainbaud |
8 reels |
|
|
|
| 1944 |
Bluebeard. |
PRC Pictures Inc. |
8 reels |
16mm |
|
sound |
| 1944 |
House Of Frankenstein. |
Erle C. Kenton |
7 reels |
|
|
|
| 1944 |
The Black Parachute. |
Lew Landers |
7 reels |
|
B&W |
|
| 1944 |
The Invisible Man's Revenge. |
Ford Beebe |
8 reels |
|
|
|
| 1945 |
House of Dracula. |
Erle C. Kenton |
28:00 |
16mm |
|
sound |
| 1956 |
THE TEN COMMANDMENTS. |
Paramount Pictures Corp. |
219 min |
35mm |
Color |
sound |
| 1957 |
Half Human. |
Distributors Corp. of America |
70 min. |
35mm |
B&W |
sound |
| 1957 |
The True Story Of Jesse James. |
Twentieth Century-Fox Film Corp |
92 min. |
35mm |
Color |
sound |
| 1958 |
Showdown At Boot Hill. |
Twentieth Century-Fox Film Corp |
72 min. |
35mm |
B&W |
sound |
| 1959 |
The Cosmic Man. |
Futura Pictures Inc. |
72 min. |
35mm |
B&W |
sound |
| 1960 |
Sex Kittens Go To College. |
Allied Artists Pictures & Photoplay Associates Inc. |
|
35mm |
B&W |
sound |
| 1966 |
Munster Go Home. |
Universal Pictures Co. Inc. |
96 min |
35mm |
Color |
sound |
| 1966 |
Red Zone Cuba |
Coleman Francis |
|
|
|
|
| 1968 |
The astro-zombies. |
JACK H. HARRIS ENTERTAINMENT |
2600 |
16mm |
|
sound |
| 1969 |
Blood of Dracula's Castle |
Al Adamson |
|
|
|
|
| 1970 |
Bigfoot |
Robert F. Slatzer |
|
|
|
|
| 1970 |
Myra Breckinridge |
Twentieth Century-Fox Film Corp |
95 min |
|
Color |
sound |
| 1971 |
Cain's Cutthroats |
Ken Osborne |
|
|
|
|
| 1971 |
The Seven Minutes |
Twentieth Century-Fox Film Corp |
115 min |
|
Color |
sound |
| 1972 |
Boxcar Bertha |
American International Productions |
92 min |
|
Color |
sound |
|
Waterfront |
|
63 min |
16mm |
B&W |
Sound |