| 1941 |
Sign Of The Wolf. |
|
7 reels |
16mm |
|
Sound |
| 1941 |
Tobacco Road |
McGraw-Hill Films |
84 min |
16mm |
B&W |
sound |
| 1940s |
The television system |
produced by Loucks and Norling Studios, inc. |
13 |
16mm |
B&W |
sound |
| 1940 |
BEFORE THE BABY COMES |
Health film |
1R |
16mm |
B&W |
Sound |
| 1940 |
Dynamics of the Circle |
McGraw-Hill Films |
|
|
|
|
| 1940 |
East Side Kids. |
Robert F. Hill |
7 reels |
16mm |
|
sound |
| 1940 |
FDR: The Man Who Changed America |
McGraw-Hill Films |
1044 ft. |
|
|
|
| 1940 |
Fertilization |
CRM/McGraw-Hill Films |
22 |
16mm |
Color |
|
| 1940 |
First Lesson |
McGraw-Hill Book Co Blakiston Division |
|
16mm |
B&W |
sound |
| 1939 |
BEHIND THE CUP. |
Hills Bros. Coffee Inc. |
4 reels |
|
|
|
| 1939 |
Behind The Cup: The Story Of Hills Bros. Coffee |
Hills Brothers Coffee |
|
16mm |
|
sound |
| 1938 |
Mr. Reeder in Room 13 |
Norman Lee |
|
|
|
|
| 1938 |
People Of The Cumberland |
STEBBINS (ROBERT) AND EUGENE HILL |
|
16mm |
B&W |
sound |
| 1938 |
Swiss Miss |
Blackhawk Films Eastin-Phelan Corp |
72 min |
16mm |
B&W |
sound |
| 1938 |
THE LAST EXPRESS. |
Universal Pictures Co. Inc. |
7 reels |
|
B&W |
|
| 1937 |
Command Performance |
Sinclair Hill |
|
|
|
|
| 1937 |
SNOW FLIGHT. |
Jerome Hill |
|
|
|
|
| 1936 |
SKIING, THE ARLBERG TECHNIC. |
Jerome Hill |
2 reels |
|
|
|
| 1935 |
Tit For Tat |
Hal Roach Productions |
19 min |
16mm |
B&W |
sound |
| 1934 |
ALL OF ME. |
Paramount Productions Inc. |
8 reels |
|
B&W |
|
| 1934 |
Man of Aran |
CRM/McGraw-Hill Films: Publisher | Gainsborough Pictures Ltd: Presenter | Gainsborough Studios: With the Cooperation of | Indiana University Audio-Visual Center: Distributor | Texture Films |
1:17:00 |
16mm |
B&W |
sound |
| 1934 |
Sewing: Advanced Seams |
CRM/McGraw-Hill Films |
11 |
16mm |
B&W |
|
| 1933 |
The Man from Toronto |
Sinclair Hill |
|
|
|
|
| 1932 |
MONEY WELL SPENT. |
C. V. Hill & Co. Inc. |
|
|
|
|
| 1932 |
Oxidation & Reduction |
McGraw Hill Text Films |
10 min |
Filmstrip |
|
Sound |
| 1932 |
PROFIT BY OTHER MERCHANT'S MISTAKES. |
C. V. Hill & Co. Inc. |
|
|
|
|
| 1932 |
THE HEART OF THE MEAT MARKET. |
C. V. Hill & Co. Inc. |
|
|
|
|
| 1931 |
A LIFE OF A HEALTHY CHILD. |
David B. Hill. |
10 min |
16mm |
B&W |
Sound & Silent |
| 1931 |
PALMY DAYS. |
Samuel Goldwyn |
9 reels |
|
B&W |
|
| 1930s |
LIFE IN THE THIRTIES |
McGraw-Hill |
|
16mm |
|
|
| 1930 |
Behind the cup : |
the story of Hills Brothers / produced by Hills Bros., San Francisco. |
|
16mm |
B&W |
silent |
| 1930 |
Behind the cup : |
the story of Hills Brothers / produced by Hills Bros., San Francisco. |
25 |
16mm |
B&W |
|
| 1930 |
Henry Ford |
McGraw-Hill |
600 |
|
|
|
| 1929 |
WRONG AGAIN. |
Metro-Goldwyn-Mayer Distributing Corp. |
2 reels |
|
B&W |
|
| 1928 |
Putting Pants On Philip |
Hal Roach Productions |
19 min |
16mm |
B&W |
sound |
| 1928 |
The Guns of Loos |
Sinclair Hill |
|
|
|
|
| 1928 |
Two Tars |
Hal Roach Productions |
21 min |
16mm |
B&W |
sound |
| 1926 |
THE BETTER 'OLE. |
Warner Bros. Pictures Inc. |
9 reels |
|
|
|
| 1926 |
THE MAN IN THE SADDLE. |
Universal Pictures Corp. |
6 reels |
|
B&W |
|
| 1926 |
The stolen ranch |
Universal Pictures |
|
16mm |
B&W |
silent |
| 1925 |
Free To Love |
unknown |
|
16mm |
B&W |
sound |
| 1922 |
Nanook Of The North Part 1 |
McGraw-Hill Films |
12:00 |
|
|
|
| 1922 |
Nanook Of The North Part 2 |
McGraw-Hill Films |
12:00 |
|
|
|
| 1921 |
LOGICAL QUERIES NONSENSICALLY PRESENTED; A-3. |
Charles Blyde Hill |
|
|
|
|
| 1920 |
LOGICAL QUERIES NONSENSICALLY PRESENTED; A-1. |
Charles Blyde Hill |
|
|
|
|
| 1920 |
LOGICAL QUERIES NONSENSICALLY PRESENTED; A-2. |
Charles Blyde Hill |
|
|
|
|
| 1920 |
The Jazz Age (Part 2) |
McGraw-Hill Films |
1000 ft |
|
|
|
| 1918 |
Station Content |
Nellie Allen; Arthur Hoyt; Gloria Swanson; Lee Hill; Arthur Millett; Catherine Carr |
|
|
|
|
| 1915 |
SHANGHAIED |
Mutual Film Corp |
750 |
16mm |
B&W |
sound |
| 1912 |
So Near, Yet So Far |
Biograph Co |
17 min |
16mm |
B&W |
sound |