| 1946 |
The Razor's Edge. |
Edmund Goulding |
146 min |
35mm |
B&W |
sound |
| 1946 |
Three Wise Fools. |
Edward Buzzell |
9 reels |
35mm |
B&W |
sound |
| 1946 |
Ziegfeld follies. |
Metro-Goldwyn-Mayer. |
110 min |
16mm |
Color |
silent |
| 1946 |
Ziegfeld Follies. |
Merrill Pye, Charles Walters, Robert Lewis, George Sidney, Roy Del Ruth, Vincente Minnelli, Norman Taurog |
13 reels |
|
Color |
sound |
| 1945 |
A Bell For Adano. |
Henry King |
9 376 ft. |
|
|
|
| 1945 |
A Thousand And One Nights |
Ideal Pictures Inc |
93 min |
16mm |
|
sound |
| 1945 |
Anchors aweigh |
George Sidney |
0:12:00 |
16mm |
B&W |
sound |
| 1945 |
Anchors Aweigh. |
George Sidney |
15 reels |
16mm |
Color |
sound |
| 1945 |
Leave her to heaven. |
John M. Stahl |
3700 |
16mm |
Color & B&W |
sound |
| 1945 |
Stairway to Light |
Metro-Goldwyn-Mayer |
11 |
16mm |
B&W |
|
| 1945 |
Where Do We Go From Here. |
George Seaton, Gregory Ratoff |
7 000 ft. |
|
Color & B&W |
|
| 1944 |
Action In Arabia. |
Léonide Moguy |
75 min. |
|
B&W |
|
| 1944 |
Christmas Holiday. |
Robert Siodmak |
10 reels |
|
B&W |
|
| 1944 |
Cover girl |
Columbia Pictures Corp. (Publisher) |
1:47:00 |
16mm |
Color |
sound |
| 1944 |
Cover girl. |
Charles Vidor |
107 min |
16mm |
Color |
sound |
| 1944 |
Cover Girl. |
Columbia Picture Corp |
107 min |
16mm |
Color |
sound |
| 1944 |
Kansas City Kitty. |
Del Lord |
7 reels |
|
B&W |
|
| 1944 |
Laura. |
Otto Preminger |
7 820 ft. |
|
B&W |
|
| 1944 |
Pipe Fabrication With Jigs |
20202 Walker Gene K |
22 min |
16mm |
B&W |
sound |
| 1944 |
Step Lively |
Tim Whelan |
88 |
|
B&W |
|
| 1944 |
Step Lively. |
Tim Whelan |
88 min. |
|
B&W |
|
| 1944 |
The Hitler Gang. |
Films, Inc |
8925 ft. |
16mm |
B&W |
Sound |
| 1943 |
DuBarry Was a Lady |
Roy Del Ruth |
101 min |
|
Color |
|
| 1943 |
Heaven Can Wait. |
Ernst Lubitsch |
8400 ft. |
|
Color |
|
| 1943 |
Pilot No. 5 |
Loew's |
7 reels |
|
|
|
| 1943 |
Step Lively. |
Tim Whelan |
1 reel |
16mm |
B&W |
sound |
| 1943 |
The Cross Of Lorraine. |
Tay Garnett |
9 reels |
|
B&W |
sound |
| 1943 |
The Desert Song. |
Robert Florey |
96 min. |
|
B&W |
sound |
| 1943 |
Thousands cheer |
George Sidney |
102 min |
|
Color & B&W |
|
| 1943 |
Thousands Cheer. |
George Sidney |
13 reels |
|
Color & B&W |
sound |
| 1942 |
Bells of Capistrano. |
Autry Qualified Interest Trust & The Autry Foundation |
1800 |
16mm |
B&W |
sound |
| 1942 |
Call Of The Canyon. |
Republic Pictures Corporation |
7 reels |
16mm |
B&W |
sound |
| 1942 |
China Girl. |
Henry Hathaway |
8615 ft. |
|
|
|
| 1942 |
Cowboy Serenade. |
William Morgan |
7 reels |
|
B&W |
|
| 1942 |
For Me And My Gal. |
Busby Berkeley |
5 reels |
|
B&W |
sound |
| 1942 |
Heart Of The Rio Grande. |
Autry Qualified Interest Trust & The Autry Foundation |
7 reels |
16mm |
B&W |
sound |
| 1942 |
Henry Browne, Farmer ▶ |
U.S. Department of Agriculture |
10 min |
16mm |
B&W |
sound |
| 1942 |
HENRY BROWNE, FARMER |
Roger Barlow |
10 min |
|
B&W |
|
| 1942 |
HENRY BROWNE, FARMER |
Castle Films |
10 min |
16mm |
B&W |
Sound |
| 1942 |
Home in Wyomin'. |
Republic Pictures Corporation |
1800 |
16mm |
B&W |
sound |
| 1942 |
Rancho Grande. |
Republic Pictures Corporation |
7 reels |
16mm |
B&W |
sound |
| 1942 |
Rancho Grande. |
Frank McDonald |
1 reel |
16mm |
B&W |
sound |
| 1942 |
Rings on Her Fingers |
Twentieth Century-Fox Film Corporation |
86 min |
16mm |
B&W |
sound |
| 1942 |
Rings On Her Fingers. |
Rouben Mamoulian |
7 761 ft. |
|
B&W |
|
| 1942 |
Son of Fury: The Story of Benjamin Blake |
John Cromwell |
98 min |
|
B&W |
|
| 1942 |
Stardust On The Sage. |
Republic Pictures Corporation |
7 reels |
16mm |
B&W |
sound |
| 1942 |
The Tuttles Of Tahiti. |
Charles Vidor |
91 min. |
|
B&W |
|
| 1942 |
Thunder Birds. |
William A. Wellman |
7 251 ft. |
|
B&W |
|
| 1942 |
You Can't Escape Forever. |
Jo Graham |
8 reels |
|
Color |
|
| 1941 |
Back In The Saddle. |
Autry Qualified Interest Trust & The Autry Foundation |
8 reels |
16mm |
B&W |
sound |