| 1930 |
ABRAHAM LINCOLN |
EMERSON FILM CORP |
20 min |
16mm |
Tinted |
sound |
| 1934 |
ROMANCE OF RUGS. |
H. Emerson Yorke |
|
|
|
|
| 1940 |
Finland fights! |
Emerson Yorke Studio. |
3:50 |
16mm |
|
sound |
| 1940 |
NINTH STATE |
Emerson Yorke Studio |
22min |
16mm |
|
Sound |
| 1942 |
Drilling And Tapping Cast Steel |
Emerson Yorke Studios |
19 min |
16mm |
B&W |
sound |
| 1942 |
Lady Gangster |
Robert Florey |
|
|
|
|
| 1942 |
Murder In The Big House. |
B. Reeves Eason |
59 min. |
|
|
|
| 1944 |
Between two worlds |
Warner Bros.-First National ; produced by Mark Hellinger ; screen play by Daniel Fuchs ; directed by Edward A. Blatt. |
112 |
16mm |
B&W |
sound |
| 1944 |
Eyes For Tomorrow |
Emerson Yorke Studios |
|
16mm |
|
sound |
| 1944 |
Grinding A Deep Hole |
Emerson Yorke Studios |
18 min |
16mm |
B&W |
sound |
| 1944 |
Grinding A Plain Pin, Pt 1, The Grinding Wheel |
Emerson Yorke Studios |
17 min |
16mm |
B&W |
sound |
| 1944 |
Grinding A Plain Pin, Pt 2, Grinding Operations |
Emerson Yorke Studios |
17 min |
16mm |
B&W |
sound |
| 1944 |
Grinding A Slender Shaft With Back Rest |
Division of Visual Aids U.S. Office of Education (Producer) Federal Security Agency (Producer) Emerson Yorke Studio (Producer) |
600 |
16mm |
B&W |
sound |
| 1944 |
Grinding A Straight Hole |
Emerson Yorke Studios; Castle Films |
15 min |
16mm |
|
sound |
| 1944 |
Plunge Cut Grinding |
Emerson Yorke Studios |
|
16mm |
|
sound |
| 1944 |
Sharpening A Form Relieved Cutter |
Emerson Yorke Studios |
18 min |
16mm |
B&W |
sound |
| 1944 |
Sharpening A Plain Helical Milling Cutter |
Emerson Yorke Studios |
16 min |
16mm |
B&W |
sound |
| 1944 |
Sharpening A Shell End Mill |
Emerson Yorke Studios |
|
16mm |
|
sound |
| 1944 |
Sharpening A Side Milling Cutter |
Emerson Yorke Studios |
|
16mm |
|
sound |
| 1945 |
Danger Signal. |
Robert Florey |
78 min. |
|
|
|
| 1945 |
Hobbing A Helical Gear-Two Cuts, Nondifferential Method |
Office of Education Made by Emerson Yorke Studio |
600 |
16mm |
B&W |
Optical sound |
| 1945 |
Hotel Berlin. |
Peter Godfrey |
98 min. |
16mm |
|
sound |
| 1945 |
Junior Miss. |
George Seaton |
8 472 ft. |
|
|
|
| 1946 |
Conquering Darkness |
Emerson Yorke |
|
16mm |
|
|
| 1946 |
FISH IS FOOD |
Emerson Yorke Studios |
10 min |
16mm |
|
sound |
| 1946 |
The Life Cycle of the Mosquito |
CRM/McGraw-Hill Films | Emerson Yorke Studio | Emerson Yorke | Young America Films |
0:22:00 |
16mm |
B&W |
sound |
| 1946 |
This Is T.B. |
Emerson Yorke |
11 |
16mm |
B&W |
|
| 1947 |
Grinding and facing a blind hole |
Division of Visual Aids United States Office of Education (Producer) Federal Security Agency (Producer) Emerson Yorke Studio (Producer) |
17 min |
16mm |
B&W |
Optical sound |
| 1947 |
Wastage of human resources. |
Emerson FIlm Enterprises |
360 |
16mm |
|
sound |
| 1948 |
Cry of the city |
Twentieth Century-Fox Film Corp. (Publisher) |
95 min |
16mm |
B&W |
sound |
| 1948 |
Story Of Christopher Columbus |
Emerson |
|
16mm |
|
sound |
| 1948 |
Story of Christopher Columbus |
Emerson Film Corporation |
22 |
16mm |
B&W |
|
| 1948 |
Story Of Christopher Columbus, The |
EMERSON FILM CORP |
16 min. |
16mm |
Color |
sound |
| 1949 |
A Boy, a Bat, and a Baseball |
Emerson Yorke: Publisher |
|
16mm |
|
|
| 1949 |
Adam's rib |
Metro-Goldwyn-Mayer Corp. (Publisher) |
1:41:00 |
16mm |
B&W |
sound |
| 1949 |
Henry Wadsworth Longfellow. |
Emerson Film Corporation |
600 |
16mm |
B&W |
sound |
| 1949 |
Thieves’ Highway. |
Twentieth Century-Fox Film Corp |
94 min. |
35mm |
B&W |
sound |
| 1949 |
Thomas Jefferson |
Emerson Film |
0:17:42 |
16mm |
B&W |
sound |
| 1949 |
Washington Irving. |
Emerson Film Corporation |
2 reels |
16mm |
B&W |
sound |
| 1950 |
Alexander Hamilton |
Emerson Film Corporation: Distributor | Encyclopaedia Britannica Educational Corporation: Distributor | Indiana University Audio-Visual Center: Distributor |
0:18:00 |
16mm |
B&W |
sound |
| 1950 |
Caged. |
Warner Brothers Pictures Inc. |
91 min. |
35mm |
B&W |
sound |
| 1950 |
CAPTAIN Z-RO. Daniel Boone. |
EMERSON FILM CORP |
17 min. |
16mm |
B&W |
sound |
| 1950 |
Daniel Boone |
Emerson Film Corporation |
22 |
16mm |
B&W |
sound |
| 1950 |
Double Crossbones. |
Universal Pictures Company Inc. |
76 min. |
35mm |
Color |
sound |
| 1950 |
Guilty Bystander. |
Laurel Films Inc. |
91 min. |
35mm |
B&W |
sound |
| 1950 |
John C. |
EMERSON FILM CORP |
17 min. |
16mm |
B&W |
sound |
| 1950 |
John Charles Fremont. |
EMERSON FILM CORP |
17 min. |
16mm |
B&W |
sound |
| 1950 |
John Greenleaf Whittier |
Emerson Film Corporation: Distributor | Encyclopaedia Britannica Films Inc.: Distributor | Indiana University Audio-Visual Center: Distributor |
0:17:24 |
16mm |
B&W |
sound |
| 1950 |
John Greenleaf Whittier. |
EMERSON FILM CORP |
17 min. |
16mm |
B&W |
sound |
| 1950 |
Lewis And Clark. |
EMERSON FILM CORP |
17 min. |
16mm |
B&W |
sound |