| 1942 |
Ship Ahoy! ▶ |
Fox Film Corporation |
95 min |
16mm |
B&W |
sound |
| 1942 |
Ship Ahoy. |
Edward Buzzell |
10 reels |
|
B&W |
sound |
| 1942 |
Sing Your Worries Away. |
RKO |
71 min. |
16mm |
B&W |
Sound |
| 1942 |
Speaking Of Animals And Their Families |
Paramount Pictures |
1 reel |
|
B&W |
|
| 1942 |
Surprised Parties. |
Edward L. Cahn |
995 ft. |
|
B&W |
sound |
| 1942 |
Tales Of Manhattan. |
Julien Duvivier |
10663 ft. |
|
B&W |
|
| 1942 |
Taxi, Mister. |
Kurt Neumann |
5 reels |
|
B&W |
|
| 1942 |
The Black swan |
Henry King |
85 min |
|
Color |
|
| 1942 |
The devil with Hitler. |
Gordon Douglas |
14:50 |
16mm |
B&W |
sound |
| 1942 |
The Falcon Takes Over. |
Irving Reis |
63 min. |
|
B&W |
|
| 1942 |
The Mad Martindales. |
Alfred L. Werker |
5824 ft. |
|
Color |
|
| 1942 |
The Navy Comes Through. |
A. Edward Sutherland |
82 min. |
|
B&W |
|
| 1942 |
The Omaha Trail. |
Edward Buzzell |
3 reels |
|
B&W |
sound |
| 1942 |
The Pied Piper |
Percy Stow, Irving Pichel |
12:00 |
|
B&W |
|
| 1942 |
The Pied Piper. |
Percy Stow, Irving Pichel |
7 859 ft. |
16mm |
B&W |
sound |
| 1942 |
THE WAR AGAINST MRS. HADLEY. |
Harold Bucquet |
9 reels |
|
B&W |
sound |
| 1942 |
Today I Hang. |
Oliver Drake |
7 reels |
|
B&W |
|
| 1942 |
Valley Of Hunted Men. |
John English |
6 reels |
|
B&W |
|
| 1942 |
What's Cookin'. |
Edward F. Cline |
7 reels |
|
B&W |
|
| 1942 |
Yanks Ahoy. |
Kurt Neumann |
6 reels |
|
B&W |
|
| 1942 |
Young And Willing. |
Edward H. Griffith, Virginia Van Upp |
7 494 ft. |
|
B&W |
|
| 1941 |
A Girl Must Live. |
Carol Reed |
7 reels |
|
B&W |
|
| 1941 |
Along The Rio Grande. |
Edward Killy |
64 min. |
|
B&W |
|
| 1941 |
Baby Blues. |
Edward L. Cahn |
852 ft. |
|
B&W |
sound |
| 1941 |
Badlands Of Dakota. |
Alfred Edward Green |
8 reels |
|
B&W |
|
| 1941 |
Bahama Passage. |
Edward Griffith |
9 reels |
|
|
sound |
| 1941 |
Blossoms In The Dust. |
Mervyn LeRoy |
10 reels |
|
Color & B&W |
sound |
| 1941 |
Blue, White And Perfect. |
Herbert I. Leeds |
6779 ft. |
|
B&W |
|
| 1941 |
Blues in the Night |
Anatole Litvak |
89 min |
16mm |
B&W |
|
| 1941 |
CHEERS FOR MISS BISHOP |
Tay Garnett |
95 min |
|
B&W |
|
| 1941 |
Come Back, Miss Pipps. |
Edward L. Cahn |
994 ft. |
|
B&W |
|
| 1941 |
Come Live with Me ▶ |
Clarence Brown |
86 min |
|
B&W |
|
| 1941 |
Cracked Nuts. |
Edward F. Cline |
6 reels |
|
B&W |
|
| 1941 |
Cyclone On Horseback. |
Edward Killy |
60 min. |
|
B&W |
|
| 1941 |
Dumbo. |
Walt Disney Productions. |
8 reels |
16mm |
|
sound |
| 1941 |
Escort Girl. |
Edward Kaye |
7 reels |
|
B&W |
|
| 1941 |
Father Steps Out. |
Jean Yarbrough |
7 reels |
|
B&W |
|
| 1941 |
Hay Foot. |
Fred Guiol |
5 reels |
|
B&W |
|
| 1941 |
Hello, Sucker. |
Edward F. Cline |
7 reels |
|
B&W |
|
| 1941 |
HERE COMES MR. JORDAN. |
Alexander Hall |
9 reels |
|
B&W |
|
| 1941 |
I Wake Up Screaming. ▶ |
H. Bruce Humberstone; Twentieth Century-Fox Film Corporation |
1:22:00 |
16mm |
B&W |
sound |
| 1941 |
Johnny Eager. |
Mervyn LeRoy |
11 reels. |
|
B&W |
sound |
| 1941 |
Let's Go Collegiate. |
Jean Yarbrough |
6 reels |
|
B&W |
|
| 1941 |
MAIN STREET ON THE MARCH |
Teaching Film Custodians, Inc |
19min |
16mm |
B&W |
Sound |
| 1941 |
Major Barbara. |
Gabriel Pascal |
13 reels |
|
B&W |
|
| 1941 |
Manpower ▶ |
U.S. Office Of War Information |
103 min |
16mm |
B&W |
sound |
| 1941 |
MANPOWER |
Raoul Walsh |
103 min |
|
B&W |
|
| 1941 |
Manpower. |
Raoul Walsh |
11 reels. |
|
B&W |
|
| 1941 |
Married Bachelor. |
Norman Taurog, Edward Buzzell |
8 reels |
|
B&W |
sound |
| 1941 |
MEET JOHN DOE |
Iowa Theatrical & Television Corporation |
70min |
16mm |
B&W |
Sound |