| 1940 |
The Man From Dakota. |
Leslie Fenton |
8 reels |
|
B&W |
sound |
| 1940 |
The New Pupil. |
Edward L. Cahn |
993 ft. |
|
B&W |
sound |
| 1940 |
The Return Of Frank James. |
Fritz Lang |
8 440 ft. |
|
Color |
|
| 1940 |
The Shop Around The Corner. |
Ernst Lubitsch |
10 reels |
|
B&W |
sound |
| 1940 |
The Stars Look Down |
Carol Reed |
1:10 |
|
B&W |
|
| 1940 |
The Villain Still Pursued Her |
Edward F. Cline |
67 min. |
16mm |
B&W |
sound |
| 1940 |
Wagon Train. |
Universal TV. |
3 reels |
16mm |
B&W |
sound |
| 1940 |
Wagon Train. |
Edward Killy |
59 min. |
|
B&W |
|
| 1940 |
Waldo's Last Stand. ▶ |
Edward L. Cahn |
1 reel |
|
B&W |
sound |
| 1940s |
Dover |
: Britain's front line revisted by Edward Morrow, noted radio commentator / the United States Government presents ; a British Ministry of Information Film released by The Office of War Information. |
10 |
16mm |
B&W |
sound |
| 1941 |
A Girl Must Live. |
Carol Reed |
7 reels |
|
B&W |
|
| 1941 |
Along The Rio Grande. |
Edward Killy |
64 min. |
|
B&W |
|
| 1941 |
Baby Blues. |
Edward L. Cahn |
852 ft. |
|
B&W |
sound |
| 1941 |
Badlands Of Dakota. |
Alfred Edward Green |
8 reels |
|
B&W |
|
| 1941 |
Bahama Passage. |
Edward Griffith |
9 reels |
|
|
sound |
| 1941 |
Blossoms In The Dust. |
Mervyn LeRoy |
10 reels |
|
Color & B&W |
sound |
| 1941 |
Blue, White And Perfect. |
Herbert I. Leeds |
6779 ft. |
|
B&W |
|
| 1941 |
Blues in the Night |
Anatole Litvak |
89 min |
16mm |
B&W |
|
| 1941 |
CHEERS FOR MISS BISHOP |
Tay Garnett |
95 min |
|
B&W |
|
| 1941 |
Come Back, Miss Pipps. |
Edward L. Cahn |
994 ft. |
|
B&W |
|
| 1941 |
Come Live with Me ▶ |
Clarence Brown |
86 min |
|
B&W |
|
| 1941 |
Cracked Nuts. |
Edward F. Cline |
6 reels |
|
B&W |
|
| 1941 |
Cyclone On Horseback. |
Edward Killy |
60 min. |
|
B&W |
|
| 1941 |
Dumbo. |
Walt Disney Productions. |
8 reels |
16mm |
|
sound |
| 1941 |
Escort Girl. |
Edward Kaye |
7 reels |
|
B&W |
|
| 1941 |
Father Steps Out. |
Jean Yarbrough |
7 reels |
|
B&W |
|
| 1941 |
Hay Foot. |
Fred Guiol |
5 reels |
|
B&W |
|
| 1941 |
Hello, Sucker. |
Edward F. Cline |
7 reels |
|
B&W |
|
| 1941 |
HERE COMES MR. JORDAN. |
Alexander Hall |
9 reels |
|
B&W |
|
| 1941 |
I Wake Up Screaming. ▶ |
H. Bruce Humberstone; Twentieth Century-Fox Film Corporation |
1:22:00 |
16mm |
B&W |
sound |
| 1941 |
Johnny Eager. |
Mervyn LeRoy |
11 reels. |
|
B&W |
sound |
| 1941 |
Let's Go Collegiate. |
Jean Yarbrough |
6 reels |
|
B&W |
|
| 1941 |
MAIN STREET ON THE MARCH |
Teaching Film Custodians, Inc |
19min |
16mm |
B&W |
Sound |
| 1941 |
Major Barbara. |
Gabriel Pascal |
13 reels |
|
B&W |
|
| 1941 |
Manpower ▶ |
U.S. Office Of War Information |
103 min |
16mm |
B&W |
sound |
| 1941 |
MANPOWER |
Raoul Walsh |
103 min |
|
B&W |
|
| 1941 |
Manpower. |
Raoul Walsh |
11 reels. |
|
B&W |
|
| 1941 |
Married Bachelor. |
Norman Taurog, Edward Buzzell |
8 reels |
|
B&W |
sound |
| 1941 |
MEET JOHN DOE |
Iowa Theatrical & Television Corporation |
70min |
16mm |
B&W |
Sound |
| 1941 |
Meet John Doe. |
Frank Capra |
14 reels |
|
B&W |
|
| 1941 |
Meet The Chump. |
Edward F. Cline |
7 reels |
|
Color |
|
| 1941 |
Melodies Old And New. |
Edward L. Cahn |
997 ft. |
|
B&W |
sound |
| 1941 |
Miss Polly. |
Fred Guiol |
4 reels |
|
B&W |
|
| 1941 |
Never Give A Sucker An Even Break. |
Universal Pictures Co. Inc. |
7 reels |
16mm |
B&W |
sound |
| 1941 |
Nine Lives Are Not Enough. |
A. Edward Sutherland |
63 min. |
|
B&W |
|
| 1941 |
Nothing But The Truth. |
Elliott Nugent |
9 reels |
|
B&W |
|
| 1941 |
One Night In Lisbon. |
Edward H. Griffith |
10 reels |
|
B&W |
|
| 1941 |
Prairie Stranger. |
Lambert Hillyer |
6 reels |
|
B&W |
|
| 1941 |
Public Enemies. |
Albert S. Rogell |
7 reels |
|
B&W |
|
| 1941 |
Riding The Wind. |
Edward Killy |
60 min. |
|
B&W |
|