| 1961 |
Meet Cousin Casual. |
Kimberly-Clark Corp. |
|
16mm |
B&W |
sound |
| 1961 |
Misty. |
Twentieth Century-Fox Film Corp |
|
35mm |
Color |
sound |
| 1961 |
Return To Peyton Place. |
Jerry Wald Productions Inc. & Twentieth Century-Fox Film Corp. |
123 min |
35mm |
Color |
sound |
| 1961 |
The Big Show |
James B. Clark |
|
|
|
|
| 1961 |
The Innocents. |
Twentieth Century-Fox Film Corp |
22:00 |
35mm |
B&W |
sound |
| 1961 |
The misfits |
Seven Arts Productions presents ; produced by Frank E. Taylor ; directed by John Huston ; screenplay by Arthur Miller. |
124 |
16mm |
B&W |
sound |
| 1961 |
The Misfits. |
Seven Arts Productions Inc. |
|
35mm |
B&W |
sound |
| 1961 |
The Young Doctors |
Drexel Films Corp. & Millar-Turman Productions Inc. |
|
35mm |
B&W |
sound |
| 1961 |
Too Late Blues. |
Paramount Pictures Corp. |
96 min |
35mm |
B&W |
sound |
| 1961 |
Watercolor Holiday. |
David W. Clark |
|
35mm |
Color |
sound |
| 1962 |
Avocado. |
Kimberly-Clark Corp. |
|
16mm |
B&W |
sound |
| 1962 |
Bananas. |
Kimberly-Clark Corp. |
1 |
16mm |
B&W |
sound |
| 1962 |
Boys' Night Out. |
Metro-Goldwyn-Mayer Inc. & Kimco Pictures Corp. |
112 min |
35mm |
Color |
sound |
| 1962 |
Candidates and issues |
Proposition 1A / KQED and KVIE in cooperation with League of Women Voters. |
30 |
16mm |
B&W |
sound |
| 1962 |
Kimberly-Clark "Spunmist Tissues" |
Kimberly-Clark |
|
|
|
|
| 1962 |
SKYSCRAPER |
Shirley Clarke, Irving Jacoby and Willard Van Dyke for Tishman Realty & Construction Co. |
21 min |
16mm |
Color & B&W |
Sound |
| 1962 |
The Ring of Terror |
Clark L. Paylow |
|
|
|
|
| 1962 |
Turkey. |
Kimberly-Clark Corp. |
2 reels |
16mm |
B&W |
sound |
| 1962 |
Zotz |
Ideal Pictures Inc |
85 |
16mm |
B&W |
sound |
| 1962/1964 |
Coats and Clark-Zippers "Social Security" |
Coats and Clark |
|
|
|
|
| 1963 |
Flipper |
James B. Clark |
|
|
|
|
| 1963 |
Move Over, Darling. |
Melcher-Arcola Productions & Twentieth Century-Fox Film Corp. |
103 min |
35mm |
Color |
sound |
| 1963 |
The purpose of the university. |
No. 2, The realities of the federal grant university sponsored by the Graduate School of Public Administration, Harvard University ; WGBH ; produced by Jeremy Johnston ; directed by Russell Morash. |
59 |
16mm |
B&W |
sound |
| 1963 |
The purpose of the university. |
No. 2, The realities of the federal grant university sponsored by the Graduate School of Public Administration, Harvard University ; WGBH ; produced by Jeremy Johnston ; directed by Russell Morash. |
30 |
16mm |
B&W |
sound |
| 1963 |
The purpose of the university. |
No. 1, The idea of the multiversity sponsored by the Graduate School of Public Administration, Harvard University ; WGBH ; produced by Jeremy Johnston ; directed by Russell Morash. |
59 |
16mm |
B&W |
sound |
| 1964 |
Clark "Snow Scene" |
Clark Gasoline |
|
|
|
|
| 1964 |
Clark "Snow Scene" |
Clark |
|
|
|
|
| 1964 |
Island Of The Blue Dolphins. |
Universal Pictures Co. Inc. & Robert B. Radnitz Productions Inc. |
|
35mm |
Color |
sound |
| 1964 |
John Goldfarb, Please Come Home. |
Parker-Orchard Productions & Twentieth Century-Fox Film Corp. |
96 min |
35mm |
Color |
sound |
| 1964 |
Return to Oz |
Videocraft International Ltd. ; produced by Arthur Rankin, Jr. ; written by Romeo Muller based on L. Frank Baum's original characters and story "Wonderful Wizard of Oz" ; directors, F. R. Crawley ; Thomas Glynn, Larry Roemer. |
57 |
16mm |
Color |
sound |
| 1964 |
The farmer's daughter. |
[The swinger] Screen Gems ; executive producer, Harry Ackerman ; producer, Peter Kortner ; directed by Gene Reynolds ; written by Steven Gethers. |
25 |
16mm |
B&W |
sound |
| 1964 |
The Lively Set. |
Universal Pictures Co. Inc. |
95 min |
35mm |
Color |
sound |
| 1964 |
University of California 101st commencement. June 13, 1964. California Memorial Stadium |
University of California production. |
18 |
16mm |
|
silent |
| 1965 |
Catch Us If You Can |
John Boorman |
|
|
|
|
| 1965 |
Having A Wild Weekend. |
Warner Bros. Pictures Inc. & Anglo Amalgamated Film Distributors Ltd. |
|
35mm |
B&W |
sound |
| 1965 |
The Philadelphia Woodwind Quintet |
Morton Gould Sol Schoenbach Clark Jones |
|
16mm |
|
|
| 1965 |
The renaissance band |
Morton Gould New York Pro Musica Noah Greenberg Jerome Toobin Clark Jones Nathan Broder |
|
16mm |
|
|
| 1966 |
A Man Could Get Killed. |
Universal Pictures Co. Inc. |
97 min |
35mm |
Color |
sound |
| 1966 |
And Now Miguel. |
Universal Pictures Co. Inc. & Robert B. Radnitz Productions Ltd. |
95 min |
35mm |
Color |
sound |
| 1966 |
BLINDFOLD. |
Universal Pictures Co. Inc. & The 7 Pictures Corp. |
6 reels |
35mm |
Color |
sound |
| 1966 |
Blowup. |
Metro-Goldwyn-Mayer Inc. |
111 min |
35mm |
Color |
sound |
| 1966 |
WILD, WILD WINTER |
Universal Pictures Co. Inc. |
|
35mm |
Color |
sound |
| 1967 |
BANNING. |
Universal Pictures |
102 min |
35 mm |
Color |
sound |
| 1967 |
Thoroughly Modern Millie. |
Universal Pictures & Ross Hunter Productions Inc. |
138 min |
35mm |
Color |
sound |
| 1967 |
Will Penny |
Paramount Pictures Corp. |
110 min |
35mm |
Color |
sound |
| 1968 |
2001 : a space odyssey |
Metro-Goldwyn-Mayer Inc. |
143 mi |
35mm |
Color |
sound |
| 1968 |
Coogan's Bluff. |
Universal Pictures |
90 min |
35mm |
Color |
sound |
| 1968 |
Madigan. |
Universal Pictures |
101 min |
16mm |
Color |
sound |
| 1968 |
Psych-Out. |
Dick Clark Enterprises |
|
35mm |
Color |
sound |
| 1968 |
The Savage Seven. |
Dick Clark Enterprises |
|
35mm |
Color |
sound |