| 1933 |
Tarzan the Fearless |
CINECC |
85 min. |
16mm |
B&W |
|
| 1933 |
Tillie and Gus ▶ |
Paramount Productions Inc. |
6 reels |
16mm |
B&W |
sound |
| 1934 |
The Black Cat |
Universal Pictures Company | Universal Pictures Corporation |
1:06:00 |
16mm |
B&W |
sound |
| 1934 |
THE BLACK CAT, |
Universal Pictures Corp. |
7 reels |
|
B&W |
|
| 1937 |
GIRLS CAN PLAY. |
Columbia Pictures Corp. |
6 reels |
|
B&W |
|
| 1937 |
PAID TO DANCE. |
Columbia Pictures Corp. |
6 reels |
|
B&W |
|
| 1937 |
SHE MARRIED AN ARTIST. |
Columbia Pictures Corp. |
8 reels |
|
B&W |
|
| 1938 |
SPRING MADNESS. |
Loew's Inc. |
7 reels |
|
B&W |
|
| 1940 |
The Ranger And The Lady. |
Joseph Kane |
7 reels |
|
B&W |
|
| 1941 |
The Nurse's Secret. |
Noel Smith |
7 reels |
|
B&W |
|
| 1942 |
Busses Roar. |
D. Ross Lederman |
60 min. |
|
B&W |
|
| 1942 |
Escape From Crime. |
D. Ross Lederman |
51 min. |
|
B&W |
|
| 1942 |
I DOOD IT |
R C M Productions |
102 min |
16mm |
B&W |
sound |
| 1942 |
I Dood It. |
Vincente Minnelli |
1 reel |
16mm |
B&W |
sound |
| 1942 |
I Was Framed. |
D. Ross Lederman |
61 min. |
|
B&W |
|
| 1942 |
Lady Gangster |
Robert Florey |
62 min |
|
B&W |
|
| 1943 |
Girl Crazy. |
Norman Taurog, Busby Berkeley |
10 reels |
|
B&W |
sound |
| 1943 |
Northern Pursuit |
Warner Bros. Pictures |
11 reels |
|
B&W |
|
| 1945 |
RHAPSODY IN BLUE. |
warner bros. |
4500 |
16mm |
B&W |
|
| 1947 |
Five towns |
Terry Bishop |
|
|
|
|
| 1947 |
High Tide. |
John Reinhardt |
70 min. |
35mm |
B&W |
sound |
| 1948 |
Adventures In Silverado. |
Phil Karlson |
75 min. |
35mm |
B&W |
sound |
| 1948 |
Daybreak In Udi |
Contemporary Films |
47 min |
16mm |
B&W |
sound |
| 1948 |
Five Towns |
unknown |
|
16mm |
|
sound |
| 1948 |
Thunderhoof. |
Phil Karlson |
8 reels |
35mm |
B&W |
sound |
| 1949 |
Daybreak in Udi |
Terry Bishop |
47 min |
|
B&W |
|
| 1950 |
Harriet Craig. |
Columbia Pictures Corp. |
94 min. |
35mm |
B&W |
sound |
| 1951 |
Daybreak in Udi |
British Information Service |
40 |
16mm |
B&W |
|
| 1951 |
The Frogmen. |
Twentieth Century-Fox Film Corp |
96 min. |
35mm |
B&W |
sound |
| 1952 |
YOU'RE ONLY YOUNG TWICE. |
Terry Bishop |
|
16mm |
B&W |
sound |
| 1954 |
Native flowering plants of California |
produced by James F. Bishop, San Jose, California. |
12 |
16mm |
Color |
sound |
| 1955 |
Headline hunters |
William Witney |
70 min |
|
Color & B&W |
|
| 1955 |
Headline Hunters ▶ |
William Witney |
70 min |
|
Color & B&W |
|
| 1955 |
Headline Hunters. |
Republic Pictures Corp |
70 min. |
35mm |
B&W |
sound |
| 1955 |
Native Flowering Plants Of California |
Bishop Film Productions |
|
16mm |
|
sound |
| 1956 |
The Boss |
Byron Haskin |
|
|
|
|
| 1957 |
The Buckskin Lady. |
Bishop-Hittleman Pictures Inc. |
66 min. |
35mm |
B&W |
sound |
| 1958 |
ONIONHEAD |
Norman Taurog |
111 min |
16mm |
B&W |
sound |
| 1958 |
Onionhead. |
Warner Bros. Pictures Inc. |
111 min |
35mm |
B&W |
sound |
| 1958 |
The Naked And The Dead |
Ideal Pictures Inc |
130 min |
16mm |
Color |
sound |
| 1959 |
Model for Murder |
Terry Bishop |
|
|
|
|
| 1960 |
Ocean's 11 |
warner brothers |
122 min |
16mm |
Color |
sound |
| 1960s |
[Flowers of California] |
produced by James F. Bishop. |
10 |
16mm |
Color |
sound |
| 1961 |
Bomb in the High Street |
Peter Bezencenet and Terry Bishop |
|
|
|
|
| 1961 |
The Unstoppable Man |
Terry Bishop |
|
|
|
|
| 1962 |
Sergeants 3. |
E. C. Productions |
114 min |
35mm |
Color |
sound |
| 1963 |
Dime With A Halo. |
Metro-Goldwyn-Mayer Inc. |
94 min |
35mm |
B&W |
sound |
| 1964 |
Hazel Bishop Lipstick "Fantastick" |
Hazel Bishop |
|
|
|
|
| 1966 |
Texas Across The River. |
Universal Pictures |
101 min |
35mm |
Color |
sound |
| 1966 |
United Fund |
Foothill College, Department of Mass Communication, Los Altos Hills, California |
15 min |
|
B&W |
|