| 1959 |
The Tiger Attacks |
Ideal Pictures Inc |
|
16mm |
B&W |
sound |
| 1960 |
Electricity: How It Is Generated |
Coronet Films |
22 |
16mm |
B&W |
|
| 1960 |
Electricity: Principles of Safety |
Coronet Films |
11 |
16mm |
B&W |
|
| 1960 |
Four Star Farmers Of 1959 |
KEYSTONE STEEL AND WIRE CO 7000 S ADAMS ST PEORIA IL 61641 |
22 min |
16mm |
Color |
sound |
| 1960 |
Louis Armstrong : part I |
WQED Robert McCully Adam Lynch Louis Armstrong |
|
16mm |
|
|
| 1960 |
Louis Armstrong : part III |
WQED Louis Armstrong Robert McCully Adam Lynch Benny Benack |
|
16mm |
|
|
| 1960 |
North To Alaska. |
Twentieth Century-Fox Film Corp |
122 min |
35mm |
Color |
sound |
| 1960 |
One Foot In Hell. |
Twentieth Century-Fox Film Corp |
90 min |
35mm |
Color |
sound |
| 1960 |
Photography as an art |
Ansel Adams Robert Katz Philip D. Greene Irving Saraf William Triest LeRoy Miller KQED San Francisco |
|
16mm |
|
|
| 1960 |
Points of view |
Ansel Adams Robert Katz Irving Saraf Philip D. Greene William Triest Joseph Bacon KQED San Francisco |
|
16mm |
|
|
| 1960 |
Technique |
Ansel Adams KQED San Francisco Robert Katz Richard Moore Irving Saraf Denver Sutton Philip D. Greene William Triest |
|
16mm |
|
|
| 1960 |
The Apartment. |
Mirisch Co. Inc. |
125 min |
35mm |
B&W |
sound |
| 1960 |
The Man And The Challenge |
Ivan Tors Films, Inc |
30 min |
16mm |
B&W |
sound |
| 1961 |
Four Star Farmers Of 1960 |
KEYSTONE STEEL AND WIRE CO 7000 S ADAMS ST PEORIA IL 61641 |
23 min |
16mm |
Color |
sound |
| 1961 |
Four Star Farmers Of 1961 |
KEYSTONE STEEL AND WIRE CO 7000 S ADAMS ST PEORIA IL 61641 |
25 min |
16mm |
Color |
sound |
| 1961 |
LOVER COME BACK. |
Universal Pictures Co. Inc. 7 Pictures Corp. Nob Hill Productions Inc. & Arwin Productions Inc. |
7 reels |
35mm |
Color |
sound |
| 1961 |
Professional photography |
Ansel Adams Milton Halberstadt Robert Katz Irving Saraf Denver Sutton Philip D. Greene Richard Moore William Triest KQED San Francisco |
|
16mm |
|
|
| 1961 |
The Last Sunset. |
Byrna Productions S.A. & Universal Pictures Co. Inc. |
112 min |
35mm |
Color |
sound |
| 1962 |
Geronimo. |
Bedford Pictures Inc. |
27 min. |
35mm |
Color |
sound |
| 1962 |
Mix Me a Person |
Leslie Norman |
|
|
|
|
| 1962 |
Pulse Of Life, The Story Of Artificial Respiration And Artificial Circulation. |
David Adams d.b.a. Pyramid Film Producers |
|
16mm |
Color |
sound |
| 1962 |
Satan Never Sleeps. |
Twentieth Century-Fox Film Corp |
126 min |
35mm |
Color |
sound |
| 1962 |
Simple Demonstrations with Air |
Coronet Films |
11 |
16mm |
B&W |
|
| 1962 |
Simple Demonstrations with Magnetism |
Coronet Films |
11 |
16mm |
B&W |
|
| 1962 |
Simple Demonstrations With Static Electricity |
Coronet |
11 min |
16mm |
B&W |
sound |
| 1962 |
Simple Demonstrations With Water |
Coronet |
475 |
16mm |
B&W |
sound |
| 1963 |
It's A Mad, Mad, Mad, Mad World. |
Casey Productions Inc. |
|
35mm |
Color |
sound |
| 1963 |
LILIES OF THE FIELD. |
Rainbow Productions Inc. |
1 reel |
35mm |
B&W |
sound |
| 1963 |
Love With The Proper Stranger. |
Paramount Pictures Corp. Boardwalk Productions & Rona Inc. |
|
35mm |
B&W |
sound |
| 1963 |
The Hook |
George Seaton |
|
|
|
|
| 1963 |
Under The Yum Yum Tree. |
Sonnis-Swift Productions Co. |
|
35mm |
Color |
sound |
| 1964 |
Fate Is The Hunter. |
Twentieth Century-Fox Film Corp |
106 min |
35mm |
B&W |
sound |
| 1964 |
The Best Man |
Franklin J. Schaffner |
|
|
|
|
| 1965 |
Frankenstein vs. Baragon |
Honda, IshiroIshiro Honda |
|
|
|
|
| 1965 |
Invasion of Astro-Monster |
Honda, IshirōIshirō Honda |
|
|
|
|
| 1965 |
Mara Of The Wilderness. |
Unicorn Productions Inc. |
|
35mm |
Color |
sound |
| 1965 |
Ruka |
= The Hand / Spolupracoval, Kolektiv Loutkového Filmu ; scénář a režie, Jiří Trnka ; hra loutek, Bohuslav Šrámek, Jan Adam. |
19 |
16mm |
Color |
sound |
| 1965 |
Young Dillinger |
Zimbalist Co. Inc. |
102 min |
35mm |
B&W |
sound |
| 1966 |
Batman. |
Greenlawn Productions & Twentieth Century-Fox Film Corp. |
|
35mm |
Color |
sound |
| 1966 |
Hideg napok |
= Cold days / Cinemagyar ; based on the short novel Hideg napok by Tibor Cseres ; directed by Andras Kovacs. |
102 |
16mm |
B&W |
sound |
| 1966 |
Murderers' Row. |
Meadway-Claude Pictures No. 2 |
|
35mm |
Color |
sound |
| 1966 |
Ride the high winds |
Produced by Hyman Kerstein ; directed by David Millin. |
77 |
16mm |
Color |
sound |
| 1966 |
The Oscar |
unknown |
119 |
16mm |
Color |
sound |
| 1966 |
Where the Bullets Fly |
John Gilling |
|
|
|
|
| 1967 |
Audio Voltage Amplifier With Npn Transistor. |
T. M. Adams |
|
8mm |
Color |
sound |
| 1967 |
Devil's Angels |
Filmways TV Pictures |
83 |
16mm |
Color |
sound |
| 1967 |
Diode Detector (For A.M. Demodulation) |
T. M. Adams |
|
8mm |
Color |
sound |
| 1967 |
Direct-Coupled Amplifier. |
T. M. Adams |
|
8mm |
Color |
sound |
| 1967 |
Exchange Of Words. |
Richard Ware Adams |
|
16mm |
B&W |
sound |
| 1967 |
Full Wave Rectifier Power Supply. |
T. M. Adams |
|
8mm |
Color |
sound |