WHAT HAPPENS DURING FILM PROCESSING
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Year Published: 1948
Format: 16mm
Description: Made in 1948 by the De Frenes Company, this U.S. Navy training movie breaks down the steps that must be taken for proper film processing and shows each of the chemicals used and what they do. It opens with a photographer using a Speed Graphic type camera, checking his exposed film for satisfaction after taking a picture (:43). A diagram then points to the image which was thrown by the camera lens that has left an invisible record of itself on the film (:51). This record cannot be used until it is made permanent and visible through the processing procedure. It is too sensitive to light and would be ruined if any light touched it (1:05). The sensitivity of light has to be cancelled out (1:14). A combination of chemicals removes this sensitivity and the film will demonstrate this process in step by step form (1:26). The image on the film is shown as a jet (1:38) and a cartoon demonstration follows of the silver salt particle’s activating to form the latent image (1:46). The first step of the process is to use a chemical to blacken the latent image (1:56). The chemical used is known as a reducer (2:03). Types of reducers include metol, hydroquinone, and pyro (2:08). The reducer is added to water (2:18) though once the negative is thrown in, it does not work as the solution is without alkaline (2:32). An accelerator of sodium carbonate is added (2:46). When both the reducer and the accelerator are combined the process still does not work (3:14) as it is too active and the reducer ends up working on unexposed silver particles. The action must then be restrained (3:19) and protection is needed for the silver salt particles. A restrainer of potassium bromide is added (3:24) which prevents the reducer from darkening the entire film while allowing the latent image to develop (3:32). When all three chemicals are added (3:42) the negative is still not developed properly (4:01) and now it is because of the oxygen in the water that quickly burns everything up. Sodium sulfite works as a preservative protecting the chemicals in the process (4:24). Now when all of the chemicals are added, the latent image is developed properly and this solution could be used multiple times (4:45). From here, the film is transferred to the short stop bath (5:08) which immediately halts all developing actions (5:08). Acetic acid is the active ingredient in the short stop bath (5:11). The film is still sensitive to light however, (5:26) and the underdeveloped silver salt particles must be removed in a fixing bath (5:46). This bath is made up on sodium thiosulfate that eats away at the underdeveloped silver salt particles (5:52). The film is sufficiently insensitive to light now, but the active fixing agent must be rinsed out (6:21) so it does not cause the image to fade. Water is enough for rinsing, though too much can cause the silver particles to clump (6:42) and this results in an image without fine details. After the rinse, the film must be dried on both sides (6:53) and hung out to dry. If it is dried too slowly, the silver particles again tend to clump up and quick drying methods without any direct contact with heat are necessary (7:02). The film begins to wrap up with the information that each step must be precise and it helps to know what each chemical in the steps do (7:48). It was presented by the US Navy Department (7:31).
Complete Record:
Transcription
the film has been exposed and the photographer seems satisfied with his work actually he's just started the job the image thrown by the camera lens has left a record of itself on the film but the record is invisible and cannot be used until it is made permanent and visible what's more the film is still sensitive to light and will be ruined if stray light reaches it its sensitivity to light must be cancelled out ears work for the laboratory there is a combination of chemicals that will do this job of developing and preserving the photographic negative we will make up a developing solution step by step we will give each separate chemical a job to do and so turn the latent image on the film into a visible image when light strikes the silver salt particles they wake up the awakened particles form the latent image first step then is to use a chemical to blacken the latent image this chap represents that chemical which is generally termed the reducer of the many reducers available these are the most often used they do what we require so after making a solution of a reducer in water we will try to develop the negative something's not working and here's why our reducing agents act only in an alkaline solution so far our solution is not alkaline the development we're making need something to make it alkaline and speed up its action we need an accelerator sodium carbonate is the most commonly used accelerator so let's add it to our solution first the reducer now the accelerator and here goes the film there it is the accelerator is making the reducer do its work but the action is too energetic the reducer is working on the unexposed silver particles we need a traffic cop to restrain action to the latent image and give some protection to the unexposed silver salt particles the restrainer for developing solutions is potassium bromide it prevents the reducer from blackening the whole film and lets it develop the latent image correctly let's add the restrainer to our solution first the reducer second the accelerator now the restrainer now we will try another test negative that's more like it what has happened to our solution oxygen in the water attacks these chemicals quickly and soon burns them into useless condition we need protection something to preserve the chemicals that make up our developing solution sodium sulfite is the most widely used chemical for preserving photographic solutions let's make up the developing solution using a preservative now watch that negative this is the kind of developer we want the latent image has been developed satisfactorily and the solution is still good and ready for further use to stop the action of the developer at the desired point we transfer the film to the shortstop bath the effect of the acid shortstop is immediate and all developing action stops acetic acid is the active ingredient of the shortstop bath at this point our film is still sensitive to light and contains exposed and developed silver salt particles some exposed and undeveloped particles unexposed and undeveloped particles to remove the undeveloped silver salt particles we transfer the film to the fixing bath the fixing agent is sodium thiosulfate it eats away all of the undeveloped still sensitive silver salt particles when each unit of the fixing agent becomes loaded with silver salt it becomes dormant and must be displaced by fresh fixing agent the negative is now in sensitive to light but is saturated with active fixing agent if this is not washed out it will stain the negative and cause the image to fade water alone is needed to do this job extended Washington causes clumping of the silver particles and the resulting coarse-grain negative will lack fine detail after the washing has been completed wipe away all surface moisture from both sides of the film and hang it to dry in circulating cool dry air a slow drying rate will result in increased clumping of the silver particles therefore dry the film as fast as possible without the application of heat in photographic processing each step must be right know what to expect from each chemical in the various solutions there is both a minimum and a maximum time for each step the best result is obtained when the correct procedure is carried out
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