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In this silent melodrama, an aging trapeze leaves his legitimate wife to live, unmarried, with an attractive, frivolous young woman. When she is seduced by another man, the acrobat commits murder. Dupont's film is Note worthy for itsincipient use of the subjective camera, the unconventional, impressionistic use of swirling light and fantastic special effects. (Circulates)
Complete catalog record
, , In this silent melodrama, an aging trapeze leaves his legitimate wife to live, unmarried, with an attractive, frivolous young woman. When she is seduced by another man, the acrobat commits murder. Dupont's film is Note worthy for itsincipient use of the subjective camera, the unconventional, impressionistic use of swirling light and fantastic special effects. (Circulates)
, , In this silent melodrama, an aging trapeze leaves his legitimate wife to live, unmarried, with an attractive, frivolous young woman. When she is seduced by another man, the acrobat commits murder. Dupont's film is Note worthy for itsincipient use of the subjective camera, the unconventional, impressionistic use of swirling light and fantastic special effects. (Circulates)
NOTE: Two (or more) records have been merged together to create this data.
, , In this silent melodrama, an aging trapeze leaves his legitimate wife to live, unmarried, with an attractive, frivolous young woman. When she is seduced by another man, the acrobat commits murder. Dupont's film is Note worthy for itsincipient use of the subjective camera, the unconventional, impressionistic use of swirling light and fantastic special effects. (Circulates)
NOTE: Two (or more) records have been merged together to create this data.
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