Maybe Next Week Sometime by David Boatwright

Description:

To celebrate the World Day for Audiovisual Heritage, Moving Image Research Collections (MIRC) at the University of South Carolina presents Maybe Next Week Sometime by David Boatwright, a documentary film from 1975. This film traces the roots of music created among African American communities in South Carolina in the 1970s. It examines black roots music as it existed in the rural South of the United States, and includes music ranging from folk and rock to spirituals and the ceremonial music of the Yoruba people of South Carolina. Produced by the South Carolina Arts Commission, a public arts organisation that toured artist-made films in the Southeastern United States, in order to make them more visible to the local population, this documentary has survived in what seems to be a unique copy with some color fading, conserved by MIRC. We are happy to present this film to the largest audience possible, and join UNESCO and the Coordinating Council of Audiovisual Archives Associations (CCAAA) in celebrating documentary heritage as promoting just, inclusive, and peaceful societies.
Featuring, in order of appearance: Juanita Green; Rock Cloud; Swamp Man; Michael and Ken Warren; Drink Small; Curt Riley; Inmates of the South Carolina Central Correctional Institute; Albert Smith; Yoruba People of Sheldon SC; Big Betty and the Spiritualities.

Complete Record: To celebrate the World Day for Audiovisual Heritage, Moving Image Research Collections (MIRC) at the University of South Carolina presents Maybe Next Week Sometime by David Boatwright, a documentary film from 1975. This film traces the roots of music created among African American communities in South Carolina in the 1970s. It examines black roots music as it existed in the rural South of the United States, and includes music ranging from folk and rock to spirituals and the ceremonial music of the Yoruba people of South Carolina. Produced by the South Carolina Arts Commission, a public arts organisation that toured artist-made films in the Southeastern United States, in order to make them more visible to the local population, this documentary has survived in what seems to be a unique copy with some color fading, conserved by MIRC. We are happy to present this film to the largest audience possible, and join UNESCO and the Coordinating Council of Audiovisual Archives Associations (CCAAA) in celebrating documentary heritage as promoting just, inclusive, and peaceful societies. Featuring, in order of appearance: Juanita Green; Rock Cloud; Swamp Man; Michael and Ken Warren; Drink Small; Curt Riley; Inmates of the South Carolina Central Correctional Institute; Albert Smith; Yoruba People of Sheldon SC; Big Betty and the Spiritualities.

Transcription

[Music] is [Music] m [Music] [Music] [Music] [Music] come to SW me with his hand there good job the P will makeing happy problem man that's man yeah [Music] I [Music] [Music] anyway anyway you bless me you know I'll be Satisfied in the street in the street bless me Lord oh I'll sa I'll try I'll to do my best before I my anyway you know I'll be satisfi in a crowd bless I I'll be Satisfied I'll try I'll try to do my best anyway know in my churchur I'll try I'll anyway oh I [Music] any oh well what what what these um these are um members of the Rebel region and the Rolls-Royce Owners Club and uh members of the the club are from uh uh Georgia South car North Carolina and Alabama got AIG Bentley and Rolls-Royce Motorcars which are the oldest one I guess is just Phantom one from the last year at Atlanta we had our silver and the uh newest is the uh Bentley uh 1965 Bentley 73 Bley San right here this is a a Bentley te where is over there by the [Music] fence yeah [Music] I'm going to stop the woman I love I love that other man yeah since I'm going to Chicago ain't going to take no you I nothing need the car won't let you [Music] so good it [Music] Give a Little Rock yeah yeah [Music] yeah oh about to make me happy [Music] yeah oh yeah amen well I put one his hand hurt you too rough now i p i you Ain got his hand hurt I got damn good breaks my stter w waake but I damn sure got good bre tell when you want let me see I to get enough tell me when you get n that's by ni that's by when you get it all bottle I yeah yeah yeah [Music] don't catching no more don't catch it no more I'mma tangle this you can Tangle let see G I got it Miss Miss y Miss yep say the head is short as mine yep Miss yep Miss yep Miss yep don't like you can't get kind say dust to dust show me that woman that a man can trust this morning this morning so soon how many biscuit can you eat this morning so soon how many how many biscuits can you eat this morning so soon how many bis you [Music] E9 what you going to do when FL gives out this morning what you going to do when this morning what you going the get out in cor [Music] morning watch you smiling over on now what you going to do when the this morning what you going do the this morning what you going to do when the meat get in set up in the corner with a greasy chin this morning this morning go all right Paul all [Music] right that's me I say anything you want about ja if you can my about to call me shine this morning soon about to call me shine this morning to call me shine ain't no miller but I love to grind this morning this morning so transcription music have been recorded on NBC this a direct cut R be back with you all the next Thursday evening same time same station I'm the funnest old color fell Li Ron and Juni I've H in my arm he was this could walk right there none of your damn business I don't have no business I make rangement I never nothing hear out yank do now I'm going tell you if you playing yank do right if you ain't here with it I wouldn't have get out and play it if it don't do right I'll hand it back to somebody well you get play Yan dood and then play B Yan no he asked David asked me to play setting on top of the world okay go ahead and John Henry I'm going run out didn't you do it David better hit it no I'mma play Yan doodle now all right not but 2 minutes and a half that's about that's about a record top thank you white folks look at him [Music] you got that t yeah I don't want to catch it you got it too mean you ain't got to stay close together I mean we don't stay together but we play get I can't catch you this shter time you've been here understand that now Dr let's play this here now [Music] [Music] [Music] you right there mama don't want no down hanging around no she [Music] don't say it again when your mother did she friend unone probably get drunk or on your way from home [Music] sometime tell me little woman when you st last night your hair all down you ain't talking right Mama don't want down hanging around yeah the real was C was one duck he di to the B never come up he still drunk baby all the time them boys are great I left let head in jail said where you going I said I'm headed for home if I don't die before I get there and y'all bo be good now who all yall go the gang I come to see here won't make fun at you neither better not bring you damn ass up there making fun at us and we on the gang I said well God damn you had been to do what you done I got no business to do it said well that's all right I hear that you could play a guar I said no sir not in jail I said I can pick it when I'm home but not in jail said I got a brand you get off I played for him about 20 25 minutes he said all right C go on upstairs we see you in the morning I said okay I went on upstairs never seen to many lws down there some of them had piss the beac and de was I went on up there next morning jila come up they hey Mr Riley I said Ain but one in here must be Mis sir one Riley he said uh come on down Sheriff said bring you on down then if you want to go home you got to play a couple more pieces God damn I picked the song Ries I couldn't even play a t like that I played myself out the other boy was with Me [Music] Shine I went up town with the low down Blu [Music] yeah I went up town with a little down blue that's SH now I went up town with the low down [Music] Blues shine Bo looking [ __ ] Let Me Shine Your Shoes tell them H not now may next me sometime [Music] me now G running breast for breast yeah oh course say hold on Cody let's stop and take a little rest at my arm not now [Music] maybe sometime [Music] Wonder [Music] the [Music] [Music] you didn't want me baby yes when you leay down cross my be w oh you don't want me Mama yes when you down cross my stop to drink it all this moonshine Twisted just talking all out your head grab that week and tie it on your head because i' been your dog baby since I've been your love [Music] w [Music] [Music] I for [Music] I want I want I want I want [Music] [Applause] [Music] don't [Music] up [Music] [Applause] [Music] yeah yeah [Music] yeah yeah yeah [Music] hey come come don't [Music] [Applause] [Music] don't [Music] don't don't [Music] [Music] Oh Glory to [Music] God here wa in the midnight [Music] [Music] your [Music] [Music] [Music] [Applause] [Music] oh [Music]


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