Lead shoes

A surrealistic work described as a highly disjointed Oedipal narrative about a mother and her son. Peterson utilizes abstract visual techniques including reverse-motion images of a hand chalking the ground, accelerated shots of a girl playing hopscotch, and transformations that include a bone becoming a piece of bread. The dissonant soundtrack combines shouts, chants, howls, a cacophonous instrumental jam session, and phrases from two old ballads, Edward and The Three Ravens.

Credits

Sidney Peterson (1905–2000); Jeremy Anderson (1921–1982); Elma Barrett; Jack Klough; Benjamin Chan; Becky Johnston; Wirth McCoy; Nadine Richards; Frank Wright; James Johnston; Three Edwards and a Raven; San Francisco Art Institute. Workshop 20

Complete catalog record
A surrealistic work described as a highly disjointed Oedipal narrative about a mother and her son. Peterson utilizes abstract visual techniques including reverse-motion images of a hand chalking the ground, accelerated shots of a girl playing hopscotch, and transformations that include a bone becoming a piece of bread. The dissonant soundtrack combines shouts, chants, howls, a cacophonous instrumental jam session, and phrases from two old ballads, Edward and The Three Ravens.

Related films

Sources

  1. 16mm Filmography (legacy record) — title, year, creator, length, format, color, sound, description, catalog record
  2. BERKELEY ART MUSEUM AND PACIFIC FILM ARCHIVE · record ↗ — title, year, creator, length, format, color, sound, description, credits