Frame By Frame: The Art Of Animation
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An entertaining and informative look at animation techniques. Short and well-chosen examples illustrate several methods of making an animated film, frame by frame. Techniques explored inclu Topics: kinestasis, flicker filming, cut-out animation, pixillation, drawing on film, and time sequence filming. Directed by Paul Burnford and Jerry Samuelson., Surveys various methods and results of animated film production, emphasizing simplicity and encouraging experimentation. Describes time-lapse photography, "flicker films," use of cutout figures and drawings, subject movement, tracing paper sequencing, and drawing directly on clear film. Shows "how-to" of each technique, followed by brief examples of final products.
Copyright
Registered 6Aug74 · MP30225 (Jan-Jun 1977) Copyright holder: Paul Burnford Film Productions
Complete catalog record
An entertaining and informative look at animation techniques. Short and well-chosen examples illustrate several methods of making an animated film, frame by frame. Techniques explored inclu Topics: kinestasis, flicker filming, cut-out animation, pixillation, drawing on film, and time sequence filming. Directed by Paul Burnford and Jerry Samuelson., Explores some of the possibilities for making a frame- by-frame or animated film. The different kinds of animation shown in the film were made by a grade school class in filmmaking. Some of the frame-by-frame techniques include: still picture filming (kinestasis), flicker filming, cut-out animation, cell or drawn animation, direct images on film and time sequence filming.
, Surveys various methods and results of animated film production, emphasizing simplicity and encouraging experimentation. Describes time-lapse photography, "flicker films," use of cutout figures and drawings, subject movement, tracing paper sequencing, and drawing directly on clear film. Shows "how-to" of each technique, followed by brief examples of final products., NOTE: Two (or more) records have been merged together to create this data.
, Surveys various methods and results of animated film production, emphasizing simplicity and encouraging experimentation. Describes time-lapse photography, "flicker films," use of cutout figures and drawings, subject movement, tracing paper sequencing, and drawing directly on clear film. Shows "how-to" of each technique, followed by brief examples of final products., NOTE: Two (or more) records have been merged together to create this data.
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Sources
- 16mm Filmography (legacy record) — title, creator, length, format, color, sound, genre, description, catalog record
- U.S. Copyright Office, Catalog of Copyright Entries (renewals, 1970–1978) — copyright
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