Exilée /

Duration: 46

Year Published: 1980

Creator: Theresa Hak Kyung Cha.

Format: Super 8mm

Color: B&W

Sound: silent and sound

Credits: Preservation facsimile: Exilée. [New York] : [BB Optics] , [2000] 1 film reel [of 1?] (50 min.) : silent, black and white ; 16 mm

Description: Film and video installation composed of a 10 ft. by 12 ft. white wall, 2 super-8 mm films, one 3/4 in. videotape, one 25 in. video monitor, one audio amplifier, and 2 audio speakers.; Title appears on screen as a series of letters: EXIL; EXILÉ; ILE; É; É E.; Original Berkeley Art Museum accession number for film channel originals: 1992.4.290.; Pacific Film Archive collection; non-circulating. Access by appt. only. CBPF; PFA 8800-121-16371. Restricted: Archival. Not for research use. CBPF; PFA 8800-121-16372. Restricted: Archival. Not for research use. CBPF; PFA 8800-121-16373. Restricted: Archival. Not for research use. CBPF; PFA 8800-121-16374. Restricted: Archival. Not for research or exhibition. CBPF; PFA 8800-121-16375. Restricted: Not for research use. CBPF; PFA 8800-121-16507. Restricted: Archival. Not for research or exhibition. CBPF; PFA 0750-121-16409. Restricted: Not for research use. CBPF; PFA 0750-121-16410. Restricted: Not for research use. CBPF; PFA 0750-121-16411. Restricted: Not for research use. CBPF; PFA 0750-121-16412. Restricted: Not for research use. CBPF; PFA 0750-121-16413. Restricted: Not for research use. CBPF; PFA 0750-121-16414. Restricted: Not for research use. CBPF; PFA 0750-121-16415. Restricted: Not for research use. CBPF; Photography, Theresa Hak Kyung Cha.; John G. Hanhardt, Program note, 76 New American Film and Video Series, Whitney Museum of American Art, 1995; Katherine Russell Bond. "Exile and the Maiden: The performance art of Theresa Hak Kyung Cha," Korean Culture (Summer 1996): 15-16; Narrator: Theresa Hak Kyung Cha.; "The two super-8 mm films, projected onto the wall at 18 fps, show through time-lapse photography subtle changes in the definition and articulation of the composition. The videotape seen on the monitor involves text and still images dissolving into one another. Cha's distinctive voice-over, with its delicate, deliberate phrases in French and English, evokes a further poetic relationship between the meanings of different languages and images."-- John G. Hanhardt, Whitney Museum of American Art, 1995.; PFA 8800-121-16371. D0121 deposit 2009/09/22 CBPF; PFA 8800-121-16372. D0121 deposit 2009/09/22 CBPF; PFA 8800-121-16373. D0121 deposit 2009/10/01 CBPF; PFA 8800-121-16374. D0121 deposit 2009/09/22 CBPF; PFA 8800-121-16375. D0121 deposit 2009/09/22 CBPF; PFA 8800-121-16507. D0121 deposit 2014/10/31 CBPF; PFA 0750-121-16409. D0121 deposit 2014/10/31 CBPF; PFA 0750-121-16410. D0121 deposit 2014/10/31 CBPF; PFA 0750-121-16411. D0121 deposit 2014/10/31 CBPF; PFA 0750-121-16412. D0121 deposit 2014/10/31 CBPF; PFA 0750-121-16413. D0121 deposit 2014/10/31 CBPF; PFA 0750-121-16414. D0121 deposit 2014/10/31 CBPF; PFA 0750-121-16415. D0121 deposit 2014/10/31 CBPF; PFA 8800-121-16371. Reversal print #1 (super-8 BAM exhibition print [copied from 1992.4.290]). CONDITION NOTE: inspected 2009/09/28 pjs; very good condition; slightly dirty at head; R1 base scratches near perfs that will be visible on screen; light emulsion wear on both sides of frame; R2 light base scratches near perfs that might not be visible on screen; both reels have yellowish light flares emanating from perfs (frame right)--will be visible; 0 splices; Lisa Calden notes that this is the BAM exhibition print.; PFA 8800-121-16372. Reversal print #2 (super-8 BAM exhibition print [copied from 1992.4.290]). CONDITION NOTE: Inspected 2009/09/28 pjs; good condition; visible scratches; both reels have evidence of start up trouble; R1 extensive stretched and torn perfs for the first 25 ft.; R2 has a couple of torn perfs and crinkles; yellowish flares extend from perfs throughout (not as dramatic as in print #1); PFA 8800-121-16373. Reversal print #3 (super-8 BAM exhibition print [copied from 1992.4.290]). CONDITION NOTE: Inspected 2009/10/05 pjs; excellent; unused; brownish flares emanate from perfs like other super-8 prints; PFA 8800-121-16374. Reversal super-8 print [copied from 1992.4.290], used at the Whitney Museum of American Art in 1995.; PFA 8800-121-16375. Reversal print. Two super-8 reels spliced together by CCA for their exhibition Searchlight: Consciousness at the Millennium, Wattis Institute, Autumn 1999. 760 ft. total. Print made from BAM# 1992.4.290.; PFA 8800-121-16507. Original reversal positive. CONDITION NOTE: 2014/11. Needs head leader.; PFA 0750-121-16409. Submaster, created for Long Beach Museum Station Annex, June 1987. Sound on channel 2 only. Original Berkeley Art Museum accession number: 1992.4.111.; PFA 0750-121-16410. Dub [3rd generation], created for Long Beach Museum Station Annex, June 1987. Sound on channel 2 only. Original Berkeley Art Museum accession number: 1992.4.112.; PFA 0750-121-16411. Master. Sound on channel 2 only. Original Berkeley Art Museum accession number: 1992.4.201.; PFA 0750-121-16412. Edited master. Sound on channel 2only. Original Berkeley Art Museum accession number: 1992.4.202.; PFA 0750-121-16413. Dub for MATRIX 137 exhibition, University Art Museum, 1990. Sound on channel 2 only.; PFA 0750-121-16414. Loan copy 1, used at Whitney Museum.; PFA 0750-121-16415. Loan copy 2.

Metadata Source:BERKELEY ART MUSEUM AND PACIFIC FILM ARCHIVE