| AT THE POINT OF A GUN. |
1919 |
Universal Film Mfg. Co. Inc. |
2 reels |
|
|
|
| AT THE PICNIC. (Happy Hooligan) |
1917 |
International Film Service Inc. |
|
|
|
|
| AT THE PARTY. |
1927 |
Vitaphone Corp. |
1 reel |
|
|
|
| AT THE OLD STAGE DOOR. Rolin Film Co. |
1919 |
Pathe Exchange Inc. |
|
|
|
|
| AT THE NIGHT CLUB. (A Laemmle Movietone) |
1929 |
Universal Pictures Corp. |
1 reel |
|
|
|
| AT THE MIKE. |
1934 |
Universal Pictures Corp. |
2 reels |
|
|
|
| AT THE MERCY OF MEN. |
1918 |
Select Pictures Corp. |
5 reels |
|
|
|
| AT THE MASQUERADE BALL. |
1912 |
Thomas A. Edison Inc. |
1 reel |
|
|
|
| AT THE MASK-BALL. |
1915 |
Selig Polyscope Co. |
1 reel |
|
B&W |
silent |
| AT THE HEADWATERS OF THE DALALVEN; the river of the Valley of Sweden. |
1916 |
Vitagraph Co Of America |
|
|
B&W |
silent |
| AT THE HALF-BREED'S MERCY. |
1913 |
American Film Mfg. Co. |
|
|
|
|
| AT THE GATE. |
1929 |
Paramount Famous Lasky Corp |
1 reel |
|
|
|
| AT THE GATE OF SIN. |
1916 |
Nordisk Films Kompagni |
|
|
B&W |
silent |
| AT THE FRONT. (Horace in Hollywood Series) |
1928 |
Universal Pictures Corp. |
1 reel |
|
|
|
| AT THE FRONT IN NORTH AFRICA WITH THE U. S. ARMY. |
1943 |
|
1500 |
16mm |
|
sound |
| AT THE FRONT IN NORTH AFRICA |
1943 |
National Archives and Records Administration |
|
16mm/video file |
|
|
| AT THE FRONT IN NORTH AFRICA |
|
|
|
16mm |
|
|
| AT THE FOREFRONT WITH COPPER |
1959 |
Produced by Bay State Film Productions |
20 min |
16mm |
Color |
Sound |
| AT THE FOOT OF THE SCAFFOLD. |
1913 |
American Kineto Corporation |
|
|
|
|
| AT THE FLOOD-TIDE. |
1915 |
Selig Polyscope Co. |
1 reel |
|
B&W |
silent |
| AT THE END OF THE WORLD. |
1921 |
Famous Players-Lasky Corp. |
6 reels |
|
|
|
| AT THE END OF THE RAINBOW. |
1916 |
K & R Film Co. Inc. |
|
|
B&W |
silent |
| AT THE END OF A PERFECT DAY. |
1915 |
Essanay Film Mfg. Co. |
1 reel |
|
B&W |
silent |
| AT THE ELEVENTH HOUR. |
1914 |
Selig Polyscope Co. |
|
|
|
|
| AT THE EDGE OF THINGS. |
1915 |
American Film Mfg. Co. |
1 reel |
|
B&W |
silent |
| AT THE DENTIST'S. (George Le Maire Comedies) |
1929 |
Pathe Exchange Inc. |
2 reels |
|
|
|
| AT THE DAMASCUS GATE OF OLD JERUSALEM. (Paramount-Burton Holmes Travel Picture) |
1922 |
Burton Holmes Lectures Inc. |
1 reel |
|
|
|
| AT THE CROSSING. |
1914 |
Société Française des Films et Cinématographes Éclair |
1 reel |
|
|
|
| AT THE COUNT OF TEN. |
1916 |
Metro Pictures Corp. |
1 reel |
|
B&W |
silent |
| AT THE CIRCUS. |
1939 |
Loew's Inc. |
9 reels |
|
|
|
| AT THE BINGVILLE BOOSTERS BARBECUE. |
1915 |
Universal Film Mfg. Co. Inc. |
1 reel |
16mm |
B&W |
silent |
| AT THE BEACH. (A McDougall Alley Comedy) |
1926 |
The Bray Productions Inc. |
2 reels |
|
|
|
| AT THE BEACH INCOGNITO. |
1915 |
Universal Film Mfg. Co. Inc. |
1 reel |
16mm |
B&W |
silent |
| AT THE BASKET PICNIC. |
1912 |
Biograph Co |
|
|
|
|
| AT THE BANQUET TABLE. |
1915 |
Universal Film Mfg. Co. Inc. |
2 reels |
16mm |
B&W |
silent |
| AT SWORDS' POINTS. |
1918 |
Universal Film Mfg. Co. Inc. |
1 reel |
|
|
|
| AT SEA ASHORE. (A Hal Roach Comedy) |
1936 |
Metro-Goldwyn-Mayer Corp. |
2 reels |
|
|
|
| AT SCHOOL IN SWEDEN |
1961 |
Artfilm for Swedish Institute |
24 min |
16mm |
Color & B&W |
Sound |
| AT PINEY RIDGE. |
1916 |
Selig Polyscope Co. |
5 reels |
|
B&W |
silent |
| AT NAPOLEON'S COMMAND. |
1912 |
Societa Italiana Cines |
|
|
|
|
| AT MIDNIGHT. |
1913 |
Thomas A. Edison Inc. |
|
|
|
|
| AT LAST WE ARE ALONE. |
1914 |
Selig Polyscope Co. |
1 reel |
|
|
|
| AT LARGE. |
1922 |
Universal Film Mfg. Co. Inc. |
2 reels |
|
|
|
| AT IT AGAIN. (Mermaid Comedies) |
1928 |
Educational Film Exchanges Inc. |
2 reels |
|
|
|
| AT IT AGAIN. |
1920 |
Goldwyn Pictures Corp. |
2 reels |
|
|
|
| AT HOME. |
1930 |
Paramount Publix Corp. |
1 reel |
|
|
|
| AT HOME WITH THE BIRDS IN MAINE |
1938 |
National Association of Audubon Societies |
15 min |
16mm |
|
|
| AT HOME WITH THE ABRAHAM LINCOLNS |
1956 |
McCall's magazine |
6 min |
16mm |
Color & B&W |
Sound |
| AT HOME WITH GUNS |
1964 |
|
|
16mm |
|
|
| AT HOME IN THE WATER. |
1912 |
Thomas A. Edison Inc. |
1 reel |
|
|
|