| Wie es damals war. |
|
|
|
16mm |
|
sound |
| Wie ein Ziegelstein entsteht. |
1936 |
Basse-Film GmbH. |
4:00 |
16mm |
|
silent |
| Wie ein Strumpf entsteht. |
1935 |
|
|
16mm |
|
silent |
| WIE EIN EI DEM ANDEREN |
1938 |
|
504 |
16mm |
|
sound |
| Wie ein Bleistift entsteht. |
1936 |
Puchstein Kulturfilm |
4:00 |
16mm |
|
silent |
| Wie arbeitet der Viertakt-Otto-Motor. |
1939 |
Commerz-Film AG. |
4:00 |
16mm |
|
silent |
| Wie arbeitet der Diesel Fahrzeugmotor. |
1938 |
Commerz-Film AG. |
1100 |
16mm |
|
silent |
| Wide, wide world. [1955-09-19]. |
1955 |
|
|
16mm |
|
sound |
| Wide wide world. The endless frontier. |
1957 |
|
3240 |
16mm |
|
sound |
| Wide wide world. The creative spirit. |
1957 |
NBC Television |
3240 |
16mm |
|
sound |
| Wide wide world. The challenge of space. |
1957 |
|
3240 |
16mm |
|
sound |
| Wide wide world. Song of America. |
1956 |
|
3240 |
16mm |
|
sound |
| Wide wide world. Missile men. |
1958 |
|
3240 |
16mm |
|
sound |
| Wide wide world. A woman's story [1957-01-06]. |
1957 |
|
3100 |
16mm |
|
sound |
| Wide wide world. A Sunday afternoon with youth. |
1955 |
|
30:50 |
16mm |
|
sound |
| Wide wide world. [New Year's Day visiting]. |
1956 |
NBC Television |
30:50 |
16mm |
|
sound |
| Wide wide world. [1956-12-09] |
1956 |
|
|
16mm |
|
sound |
| Wide wide world. [1956-03-26]. |
1956 |
|
|
16mm |
|
sound |
| Wide wide world. [1955-12-04]. |
1955 |
|
3240 |
16mm |
|
sound |
| WIDE WIDE WORLD. 1958-03-30--MISSING |
1958 |
|
|
16mm |
|
silent |
| WIDE WIDE WORLD. 1956-01-29--MISSING |
1956 |
|
|
16mm |
|
silent |
| WIDE WIDE WORLD. 1955-11-27--MISSING |
1955 |
|
|
16mm |
|
silent |
| Wide open spaces. |
1947 |
Walt Disney Productions. |
|
16mm |
|
sound |
| Wide open faces. |
1938 |
David L. Loew Productions Inc. |
7 reels |
16mm |
|
sound |
| Wide country. What are friends for. |
1962 |
|
|
16mm |
|
sound |
| Wide country. Second chance. |
1962 |
|
|
16mm |
|
sound |
| Wide country. Our Ernie kills people. |
1962 |
|
|
16mm |
|
sound |
| Why. |
1959 |
Julian Olansky |
15 min. |
16mm |
Color |
sound |
| Why worry? |
1923 |
Pathe Exchange Inc. |
50 |
16mm |
|
silent |
| Why Wild Men Go Wild. |
1920 |
|
4:00 |
16mm |
|
silent |
| Why we have taxes or the town that had no policeman. |
1970 |
|
2:50 |
16mm |
|
sound |
| Why we fight. No. 7: War comes to America. |
|
|
8:00 |
16mm |
|
sound |
| Why we fight, no. 05 : the battle of Russia. |
1944 |
United States.War Dept.Special Service Division |
|
16mm |
|
sound |
| Why Vietnam? |
1961 |
Department of Defense. |
1100 |
16mm/video file |
|
sound |
| WHY THE ACTOR WAS LATE. |
1908 |
|
160 |
16mm |
|
|
| Why Take Chances? (Safety At Play) |
1952 |
Sid Davis Productions |
4:00 |
16mm |
|
sound |
| Why take a chance. |
1947 |
|
325 |
16mm |
|
sound |
| Why study speech? |
1954 |
|
|
16mm |
|
sound |
| Why study industrial arts? |
1956 |
Centron Corporation |
1 reel |
16mm |
B&W |
sound |
| Why study home economics? |
1955 |
Centron Corporation |
11 |
16mm |
B&W |
sound |
| Why study foreign languages? |
1949 |
C/O Simon & Schuster Film & Videos |
4:00 |
16mm |
B&W |
sound |
| Why seasons change. |
1960 |
Encyclopaedia Britannica Films Inc. |
325 |
16mm |
B&W |
sound |
| Why sailors go wrong. |
1928 |
Fox Film Corp |
6 reels |
16mm |
|
silent |
| Why Punctuate |
1948 |
Dist Now By McGraw Hill |
4:00 |
16mm |
B&W |
sound |
| WHY PLAY LEAP FROG? |
1950 |
Sutherland (John) Productions Inc. |
4:00 |
16mm |
|
sound |
| Why people smoke. |
1978 |
Paul Harber Productions |
|
16mm |
|
sound |
| WHY PEOPLE BUY |
1981 |
CRM/McGraw-Hill Films. |
8:00 |
16mm |
|
sound |
| Why me? |
1978 |
NFBC |
3:50 |
16mm |
|
sound |
| Why Man Creates |
1968 |
Saul Bass & Associates; Pyramid Films |
29 |
16mm |
Color |
sound |
| Why leger? |
|
|
10:00 |
16mm |
|
sound |