| Le Francais par le film. No. 12 |
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| Le Francais par le film. No. 11 |
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| Le Francais par le film. No. 10 |
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| Le Francais par le film. No. 09 |
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| Le Francais par le film. No. 08 |
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| Le Francais par le film. No. 07 |
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| Le Francais par le film. No. 06 |
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| Le Francais par le film. No. 05 |
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| Le Francais par le film. No. 04 |
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| Le Francais par le film. No. 03 |
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| Le Francais par le film. No. 02 |
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| Le Francais par le film. No. 01 |
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| Le Corps Image |
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| Le Capitaine H |
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| Le Caillou |
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| Le Cadeau |
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| Le bleu perdu |
1972 |
National Film Board of Canada ; réalisation, Paul Driessen ; caméra, Cameron Gaul ; production, Pierre Moretti. |
8 |
16mm |
Color |
sound |
| Lazy rhythms |
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| Layout and handling in factories |
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| Laying it on the line |
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| Laying concrete pipe the right way |
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| Lay lady lay |
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| Lay it on the line: a study in campaign fire management |
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| Laxton |
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| Laws of heredity |
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| Lawrence of Arabia didn't come down this far |
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| Lawn tennis and how to play it: the service |
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| Lawn tennis and how to play it. No. 4. The Volley and smash |
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| Law: a system of order |
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| Law |
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| Lautrec |
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| Laurette |
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| Laundering woollen blankets in hospitals |
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| Launceston and the River Tamar by John Glover, 1767-1849 |
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| Launceston |
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| Laugh lines: a profile of Kaj Pindal |
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| Latitude, Longitude and Time Zones |
1965 |
Coronet Films |
14 min |
16mm |
Color |
sound |
| Latitude and longitude |
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| Latin America: an introduction |
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| Lathe: work between centres |
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| Late Winter to Early Spring |
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| Late in a wilderness |
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| Late for dinner: was Dawn right? |
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| Late at night |
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| Late again |
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| Last stands: Tasmania |
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| Last of the windjammers |
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| Last hunting ground |
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| Last hour clash (TEFC) |
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| Last grave at Dimbaza |
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